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'Otherness’ in Space and Architecture

Jews, Muslims and Christians in Western European Art (1200-1650)

by Maria Portmann (Author)
©2021 Edited Collection 212 Pages
Open Access

Summary

This conference proceeding (Sessions on "Otherness in Space and Architecture", International Medieval Conference, Leeds, 2017 and 2018) is a compilation of articles written by both young and senior scholars, who are working on the question of the ‘self’ and the ‘other’ in Christian, Jewish and Islamic cultures. The articles examine how material, ‘oriental’ objects and knowledge originating in non-Western communities helped building and strengthening the identity of Iberia’s, southern France and northern Italian nobility and its lineages. It is shown how, in the perception of Christians, the public image of Jews and Moslems became constructed as that of adversaries, while their cultural knowledge, at the same time, would be integrated into Christian culture in a paradox manner, in which the ‘self’ necessarily depends on the ‘other’ and how visual tensions in art and space have been used as symbols of power.

Table Of Contents

  • Cover
  • Title
  • Copyright
  • About the editors
  • About the book
  • This eBook can be cited
  • Table of Contents
  • List of Contributors
  • Synopsis
  • 1. Introduction: (Maria Portmann)
  • 2. The Castle and the Lily: Samuel Ha-Levi’s Synagogue and the Crises of 14th-Century Castile: (Michael Conrad)
  • 3. Jews and Conversos in Christian Space: Distinctive Signs of the ‘Other’ in the St. Blaise Chapel in the Cathedral of Toledo in Spain: (Maria Portmann)
  • 4. Between Public and Private Spheres: The Valencian Jewish Quarter in Christian Space: (Rubén Gregori)
  • 5. ‘Never Was Raised Such a Monument of this Stature’: The Alhambra and Palace of the Popes in the 14th Century: (April L. Najjaj)
  • 6. Sacred Places: The Cubas from Southern Portugal: (Luís Ferro)
  • 7. Allies of the Order: Guilt-Projecting Witticism and Moral Discredit through Fantastic Non-Human Appearances Referring to Religious Others: (Maria Vittoria Spissu)
  • 8. Ephemeral Art and Otherness: The Image of the Muslim in Valencian Festivities and Triumphal Entries in the 16th and 17th Centuries: (Borja Franco Llopis)
  • 9. Tribute to Caesar: The Medicis’ Giraffe: (Alessandra Mascia)
  • 10. Survivals of Otherness: Astrological Frescoes in the Palazzo of Schifanoia in Ferrara, Italy: (Catherine Schaller Perret)
  • Index

cover

Bibliographic Information published by the Deutsche Nationalbibliothek

The Deutsche Nationalbibliothek lists this publication in
the Deutsche Nationalbibliografie; detailed bibliographic
data is available online at
http://dnb.d-nb.de.

About the editors

Since 2016 Maria Portmann is chief conservator of historic monuments and sites in the Canton of the Valais (Switzerland). Since 2019, she is a research fellow for the project COST (European Cooperation in Science and Technology) Action - “Islamic Legacy: Narratives East, West, South, North of the Mediterranean (1350-1750)”. Between 2012 and 2016, she has been a grant holder of the Swiss National Fund for her postdoc research about “Jews and Christians in Western Art (1300-1600).” She has been in residence at the Kunsthistorisches Institut – Max-Planck Institut in Florenz (Italy), Ludwig Maximilian University and at the Zentralinstitut für Kunstgeschichte in Munich (Germany) and at the University of Zurich (Switzerland). She earned her PhD at the University of Fribourg (Switzerland). In parallel of her PhD (2009-2011), she was a research fellow for a Spanish National Project at the University of Málaga (Spain).

About the book

Maria Portmann (ed.)

‘Otherness’ in Space and Architecture

This conference proceeding (Sessions on “Otherness in Space and Architecture”, International Medieval Conference, Leeds, 2017 and 2018) is a compilation of articles written by both young and senior scholars, who are working on the question of the ‘self’ and the ‘other’ in Christian, Jewish and Islamic cultures. The articles examine how material, ‘oriental’ objects and knowledge originating in non-Western communities helped building and strengthening the identity of Iberia’s, southern France and northern Italian nobility and its lineages. It is shown how, in the perception of Christians, the public image of Jews and Moslems became constructed as that of adversaries, while their cultural knowledge, at the same time, would be integrated into Christian culture in a paradox manner, in which the ‘self’ necessarily depends on the ‘other’ and how visual tensions in art and space have been used as symbols of power.

This eBook can be cited

This edition of the eBook can be cited. To enable this we have marked the start and end of a page. In cases where a word straddles a page break, the marker is placed inside the word at exactly the same position as in the physical book. This means that occasionally a word might be bifurcated by this marker.

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List of Contributors

Michael Conrad

University of Zurich (Switzerland)

Luís Ferro

Faculty of Architecture from the University of Porto (Portugal)

Borja Franco Llopis

Universidad Nacional de Educación a Distancia (UNED), Madrid (Spain)

Rubén Gregori

University of Valencia (Spain)

Alessandra Mascia

University of Fribourg (Switzerland)

Details

Pages
212
Year
2021
ISBN (PDF)
9783034335546
ISBN (ePUB)
9783034335553
ISBN (MOBI)
9783034335560
ISBN (Softcover)
9783034335065
DOI
10.3726/b17533
Open Access
CC-BY-NC-ND
Language
English
Publication date
2020 (December)
Published
Bern, Berlin, Bruxelles, New York, Oxford, Warszawa, Wien, 2021. 212 pp., 43 fig. col., 4 fig. b/w.

Biographical notes

Maria Portmann (Author)

Since 2016 Maria Portmann is chief conservator of historic monuments and sites in the Canton of the Valais (Switzerland). Since 2019, she is a research fellow for the project COST (European Cooperation in Science and Technology) Action - "Islamic Legacy: Narratives East, West, South, North of the Mediterranean (1350-1750)". Between 2012 and 2016, she has been a grant holder of the Swiss National Fund for her postdoc research about "Jews and Christians in Western Art (1300-1600)." She has been in residence at the Kunsthistorisches Institut – Max-Planck Institut in Florenz (Italy), Ludwig Maximilian University and at the Zentralinstitut für Kunstgeschichte in Munich (Germany) and at the University of Zurich (Switzerland). She earned her PhD at the University of Fribourg (Switzerland). In parallel of her PhD (2009-2011), she was a research fellow for a Spanish National Project at the University of Málaga (Spain).

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214 pages