To Be And Not to Be is a study of the interrelated concepts interpretation, iconicity and fiction as applied to works of art in general and literary narratives in particular. Two perspectives run through the book: a semiotic one, focusing on the work of art and what it stands for – represents, expresses, alludes to, etc. – and a psychological one, focusing on the audience’s interpretation of the work.
The book establishes an ongoing dialogue with recent research within analytic aesthetics, narratology and other relevant fields. In particular, the philosopher Nelson Goodman’s theory of symbols has proved to be fruitful in the development of new and original concept formations with respect to interpretation, iconicity and fictionality.
In the first part some fundamental questions of literary theory are focused on, foremost what is meant by «intentional interpretation», the relation between literary interpretation and understanding of everyday spontaneous discourse as analyzed by Paul Grice, and how to locate aesthetic interpretation within the wider scope of interpretive practices. These discussions yield some conceptual tools deployed in the two following parts of the book. The second part opens with a suggestion on the concept of pictorial representation. This is generalized to apply to verbal and literary phenomena such as temporal matching, quotation, and uses of point of view in narratives. In the final part recent philosophical accounts of fictionality are discussed.
Bern, Berlin, Bruxelles, Frankfurt/M., New York, Oxford, Wien, 2004. 382 pp.
Contents: Theory of interpretation – Theory of iconicity – Theory of fiction – Narrative theory – The concept of intentional
interpretation in the aesthetic disciplines – The discussion about aesthetic interpretation and truth-value – Narrative levels
– Gérard Genette’s and Seymour Chatman’s notions of point of view in narratives – Nelson Goodman’s and Donald Davidson’s ideas
about quotation and indirect quotation – Free indirect discourse in narratives – The concept of narrator in narrative theory
– Nelson Goodman’s book Languages of Art – David Lewis’ (and others) ideas about «truth in fiction» – Kendall Waltson’s
theory of fiction – Gregory Currie’s book The Nature of Fiction – Goodman’s theory symbols versus Continental semiotics.