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Cold War Compassion: The Politics of Pity in Tom Stoppard’s and Heiner Müller’s

by Ellwood Wiggins (Author)
16 Pages
Open Access
Journal: literatur für leser:innen Volume 38 Issue 4 pp. 255 - 270

Summary

At the same time on opposite sides of the Iron Curtain, two avant-garde playwrights decided to remake a 2400-year-old tragedy. Heiner Müller (1929-1996) and Tom Stoppard (1937-) are widely regarded as two of the most innovative dramatists of East Germany and Great Britain and respectively. In 1965, Stoppard submitted a script for a spy thriller to Granada TV and Müller published his first play since being banned from the East German Writers’ Association in 1961. Though unbeknownst to each other and writing for drastically different purposes, media, and audiences, they both lit upon Sophocles’

Details

Pages
16
DOI
10.3726/LFL2015-4_255
Open Access
CC-BY
Product Safety
Peter Lang Group AG

Biographical notes

Ellwood Wiggins (Author)

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Title: Cold War Compassion: The Politics of Pity in Tom Stoppard’s  and Heiner Müller’s