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.html> [accessed 20 June 2010]. Redondo Goicoechea, Alicia. 2001. ‘Ginocrítica polifónica’, Contexto, 5, 7: 191–217. ——. (ed.). 2003. ‘Los modelos de mujer de Lucía Etxebarria’, in Mujeres novelistas: jóvenes narradoras de los noventa (Madrid: Narcea), pp. 109–22. ——. 2009. Mujeres y narrativa. Otra Historia de la literatura (Madrid: Siglo XXI). Reed, Suzanne Gross. 1987. ‘Notes of Hans Christian Andersen Tales in Ana María Matute’s Primera memoria’, in Eunice Myers, and Ginette Adamson (eds), Con- tinental, Latin- American and Francophone Women Writers: Selected Papers from

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addressing, in her 1991 article, “women of color” in the United States of America. Earlier attempts at an intersectional approach were made in the Global South, as in nineteenth-century colonial India by Savitribai Phule, 2 but without spelling its name. Despite its controversial point of origin, intersectionality is generally seen as a late-twentieth-century research ←30 |  31→ paradigm, crisscrossing race, gender, sexuality, class, and ethnicity, in response to 1960s identity politics. By the early twenty-first century, intersectionality had been taken up not only by

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Etxebarria’, in Mujeres novelistas: jóvenes narradoras de los noventa (Madrid: Narcea), pp. 109–22. —— . 2009. Mujeres y narrati va. O tra Historia de la literatura (Madrid: Siglo XXI). Reed, Suzanne Gross. 1987. ‘Notes of Hans Christian Andersen Tales in Ana María Matute’s Primera memoria ’, in Eunice Myers, and Ginette Adamson (eds), Continent al, L atin-American and Francophone Women Writers: Selected Papers from The Wichita State University Conference on Foreign Literatures , 1984–5 (Lanham, MD: University Press of America), pp. 177–82. Reinoso