Edited by Sonja Fritzsche and Gerry Canavan
World Science Fiction Studies understands science fiction to be an inherently global phenomenon. Proposals are invited for monographs and edited collections that celebrate the tremendous reach of a genre that continues to be interpreted and transformed by a variety of cultures and linguistic communities around the world. The series embraces this global vision of the genre but also supports the articulation of each community’s unique approach to the challenges of science, technology and society. The series encourages the use of contemporary theoretical approaches (e.g. postcolonialism, posthumanism, feminisms, ecocriticism) as well as engagement with positionalities understood through critical race and ethnicity studies, gender studies, queer theory, disability studies, class analysis, and beyond. Interdisciplinary work and research on any media (e.g. print, film, television, visual arts, video games, new media) is welcome. The language of the series is English.
Advisory Board: Elizabeth Ginway (University of Florida), Iva Polak (University of Zagreb), and Alfredo Luiz Suppia (University of Campinas)
Edited by Anindita Banerjee and Sonja Fritzsche
The first collection of its kind, this anthology documents a radically different geography and history of science fiction in the world. Western, specifically Anglo-American, SF is not the only hub of the global trade of alternative realities and futures. Rather it is but only one of several competing flows and circuits of distribution, contacts, influence, translation, adaptation, and collaboration, across space and time. The essays collected here focus on arguably the biggest and most influential of those competing hubs: the socialist world and its extensive cultural networks across the global South and East. Written by scholars from around the world, the chapters address the «other» transatlantic of the Caribbean, Latin America, African America, and the Soviet Union; the surprising multitude of transnational networks behind the Iron Curtain; and asymptotic and subterranean discourses across Russia, India, and China. Science Fiction Circuits of the South and East is intended for scholars, students, and fans interested in science fiction, popular culture, comparative literature, film studies, postcolonialism, techno-science, translation studies, and the literature and cultures of China, Cuba, Germany, India, Mexico, Poland, and Russia.