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  • All: The African Continuum and African American Women Writers x
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, establishing this character as a published writer and advocate of women’s rights and self-determination. Helena reads aloud: ‘Sie sind nicht mehr die Prinzessinnen, die auf Prinzen warten; sie sind die Königinnen in ihrem eigenen Leben’ [They are no longer princesses waiting for princes: they are the queens in their own lives]. After the reading, Helena approaches her son Götz’s, who has come with girlfriend Aylin in order to introduce her to his mother. Helena mistakes Aylin for a waitress, asks her to refill her glass and pulls Götz’s away from another, unknown attendee

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(Hrsg.): Encyclopaedia of Science Fiction, Octopus Books, London 1978. Lockhart, Darrell B.: Latin American Science Fiction Writers: An A to Z Guide, Greenwood Publishing Group, Santa Barbara (Kalifornien) 2004. Magill, Frank N. (Hrsg.): Survey of Modern Fantasy Literature, 5 Bde., Salem Press, Englewood Cliffs (New Jersey) 1983. Magill, Frank N. (Hrsg.): Survey of Science Fiction Literature. 5 Bde., Salem Press, Englewood Cliffs (New Jersey) 1979. Mann, George: The Mammoth Encyclopaedia of Science Fictiion, Carroll & Graf Publishers, New York 2001

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(and has only gone to one other German actor in the years since 1999). 1 Dresen received extensive praise. The film itself was nominated for a Golden Bear, losing out to the American epic war film The Thin Red Line (dir. Terence Malick, 1998). Andreas Dresen was well aware of the significance of the 1999 Berlinale for his future: Das werde ich auch mein Lebtag nicht vergessen, obwohl ich so gelitten habe und so fertig war wie noch nie vorher in meinem Leben, weil ich wusste genau, an dieser Vorführung wird sich meine berufliche Existenz entscheiden. 2 At the