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Meanings of Jazz in State Socialism
©2016 Edited Collection -
Jazz from Socialist Realism to Postmodernism
©2016 Edited Collection -
The Safe House Down Under
Jewish Refugees from Czechoslovakia in Australia 1938–1944©2017 Monographs -
The Russian Journey of Karel Havlíček Borovský
©1979 Monographs -
Dealing with Democrats
The British Foreign Office and the Czechoslovak Émigrés in Great Britain, 1939 to 1945©2006 Thesis -
Identifying Units of Statehood and Determining International Boundaries
A Revised Look at the Doctrine of "Uti Possidetis" and the Principle of Self-Determination©2006 Thesis -
Behind the Legends
The Cult of Personality and Self-Presentation in the Literary Works of Stefan Heym©2009 Monographs -
Provincializing the Worldly Citizen
Yugoslav Student and Teacher Travel and Slavic Cosmopolitanism in the Interwar Era©2009 Monographs -
Double Exile
Migrations of Jewish-Hungarian Professionals through Germany to the United States, 1919-1945©2009 Monographs -
Slovakia from the Downfall of Communism to its Accession into the European Union, 1989-2004
The Re-Emergence of Political Parties and Democratic Institutions©2011 Thesis -
Poland and the Origins of the Second World War
A Study in Diplomatic History (1938–1939)©2021 Monographs -
Crossroads of Jewish Bratislava
An Ethnological Examination of the Jewish Community between the 19th and 21st Centuries©2021 Monographs -
Nationalisms across the Globe
ISSN: 1662-9116
Although in the 1980s the widely shared belief was that nationalism had become a spent force, the fragmentation of the studiously non-national Soviet Union, Yugoslavia, and Czechoslovakia in the 1990s into a multitude of successor nation-states reaffirmed its continuing significance. Today all extant polities (with the exception of the Vatican) are construed as nationstates, and hence nationalism is the sole universally accepted criterion of statehood legitimization. Similarly, human groups wishing to be recognized as fully fledged participants in international relations must define themselves as nations. This concept of world politics underscores the need for openended, broad-ranging, novel, and interdisciplinary research into nationalism and ethnicity. It promotes better understanding of the phenomena relating to social, political, and economic life, both past and present. This peer-reviewed series publishes monographs, conference proceedings, and collections of articles. It attracts well-researched, often interdisciplinary, studies which open new approaches to nationalism and ethnicity or focus on interesting case studies. The language of the series is usually English. The series is affiliated with the Institute for Transnational and Spatial History at the University of St Andrews, headed by Bernhard Struck and Tomasz Kamusella. The Institute gathers scholars with a strong interest in the comparative, entangled and transnational history of modern Europe and the globalized world. Editorial Board: Balazs Apor (Dublin) – Peter Burke (Cambridge) – Monika Baár (Groningen) – Andrea Graziosi (Naples) – Akihiro Iwashita (Sapporo) – Sławomir Łodziński (Warsaw) – Alexander Markarov (Yerevan) – Elena Marushiakova and Veselin Popov (Sofia) – Alexander Maxwell (Wellington) – Anastasia Mitrofanova (Moscow) – Michael Moser (Vienna) - Frank Lorenz Müller (St Andrews) – Sabelo J. Ndlovu-Gatsheni (Pretoria) – Balázs Trencsényi (Budapest) – Sergei Zhuk (Muncie, Indiana).
21 publications
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Austrian Culture
The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome. The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome. The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome.
43 publications