Studies in Theology, Society and Culture

ISSN: 1662-9930

Religious and theological reflection has often been confined to the realm of the private, the personal or the Church. In Europe this restriction of religion and theology can be traced back to the Enlightenment and has had long-lasting and pernicious consequences for the understanding of religious faith and society. On the one hand, there has been a rise in religious fundamentalisms around the globe, while, on the other hand, so-called advanced societies are constructed mainly along economic, pragmatic and rationalistic lines. Added to this is the reality that religious faith is increasingly lived out in pluralistic and multi-faith contexts with all the challenges and opportunities this offers to denominational religion. This series explores what it means to be religious in such contexts. It invites scholarly contributions to themes including patterns of secularisation, postmodern challenges to religion, and the relation of faith and culture. From a theological perspective it seeks constructive re-interpretations of traditional Christian topics – including God, creation, salvation, Christology, ecclesiology, etc. in a way that makes them more credible for today. It also welcomes studies on religion and science, and on theology and the arts. The series publishes monographs, comparative studies, interdisciplinary projects, conference proceedings and edited books. It attracts well-researched, especially interdisciplinary, studies which open new approaches to religion or focus on interesting case studies. The language of the series is English.

20 publications

The Enlightenment German and Interdisciplinary Studies

ISSN: 1043-576X

5 publications

The Age of Revolution and Romanticism

This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics.

32 publications

Contemporary Critical Concepts and Pre-Enlightenment Literature

ISSN: 1074-6781

"Writers who worked before the beginning of rationalist universalism's triumphal period which may be ending now-explored issues of consciousness, ideology, and culture that recent criticism and critical theory, using various specialized vocabularies of concepts, have returned to the center of literäry and social criticism. These early modern figures often anticipated some of our clilemmas; How to manipulate an apparently quite mutable world and, at the same time, preserve belief in an immutable "centered" self? How to reconcile rationalist universalism with personal and cultural stability? Rene Descartes's postulate of man as the master and proprietor of an increasingly built world is fundamentally incompatible with his effort to underwrite man as a stable philosophical subject. Man's technical and linguistic mastery devours his "transcendent subjectivity." Students of literature are now using the ideas of what Larry Riggs calls "post-enlightenment thinkers"-Max Horkheimer, Jacques Lacan, Michael Foucault, Rene Girard, and others-to elucidate the implicit and explicit debates about rationalism that are embedded in literary works. This trend is most usefully seen as a renewal of contact with preoccupations that were quite current in medieval, Renaissance, and seventeenth-century European literature. To date, however, innovative criticism has focused an more recent literature. Some post-structuralists-most notably Jacques Lacan-have tried their hand at interpreting early works. Their ideas are interesting, but their knowledge of the periods in question is often weak. Manuscripts on Elizabethan and Restoration theater, French, Italian, and German writers of the medieval and Renaissance periods, and die seventeenth-century French dramatists and moralists are welcome. "

3 publications

Studies in Central European Culture

ISSN: 2640-754X

This book series seeks manuscripts that focus on the critical analysis of the arts and cultures as they reflect, comment, or critique the history, political systems, religions, interethnic connections, economies, and historical and current problems of the multiethnic peoples of Central Europe from the Enlightenment era to the present. Books published in Studies in Central European Culture are explorations of the intellectual history and cultural movements, and their relationships to literature and other cultural representations such the theater, the fine arts, architecture, music, and philosophy. "Central Europe" for this book series is identified as the geographic region of Austria, the Balkans, the Czech Republic, Poland, Hungary, Ukraine, Romania, and the regions of the former Galicia and Bukovina during the Habsburg period, and the former East Germany. Studies in Central European Culture accepts original manuscripts of monographs and anthologies, as well as scholarly translations of literary works.

2 publications