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  • Title: From Revolution to Migration

    From Revolution to Migration

    A Study of Contemporary Cuban and Cuban American Crime Fiction
    by Helen Oakley (Author) 2012
    ©2012 Monographs
  • Title: Crime Scenes

    Crime Scenes

    Modern Crime Fiction in an International Context
    by Urszula Elias (Volume editor) Agnieszka Sienkiewicz-Charlish (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Contact and Conflict in English Studies

    Contact and Conflict in English Studies

    Assistant editors: Christian Grösslinger / Christopher Herzog
    by Sabine Coelsch-Foisner (Volume editor) Herbert Schendl (Volume editor) 2015
    ©2015 Edited Collection
  • Title: Crime Fiction

    Crime Fiction

    A Critical Casebook
    by Stephen Butler (Volume editor) Agnieszka Sienkiewicz-Charlish (Volume editor) 2018
    ©2018 Edited Collection
  • Title: The Intellectual as a Detective

    The Intellectual as a Detective

    From Leonardo Sciascia to Roberto Saviano
    by Angelo Castagnino (Author) 2015
    ©2015 Monographs
  • Title: Investigating Fascism

    Investigating Fascism

    Crime, Mystery, and the Fascist Ventennio in the Historical Novel
    by Angelo Castagnino (Author) 2017
    ©2017 Monographs
  • Title: Cryptographic Crimes

    Cryptographic Crimes

    The Use of Cryptography in Real and Fictional Crimes
    by Marcel Danesi (Author) 2017
    ©2017 Monographs
  • Title: Giorgio Scerbanenco

    Giorgio Scerbanenco

    Urban Space, Violence and Gender Identity in Post-War Italian Crime Fiction
    by Marco Paoli (Author) 2016
    ©2016 Thesis
  • Title: The Double, the Labyrinth and the Locked Room

    The Double, the Labyrinth and the Locked Room

    Metaphors of Paradox in Crime Fiction and Film
    by Ilana Shiloh (Author) 2011
    ©2011 Monographs
  • Title: Translating Cultural Identity

    Translating Cultural Identity

    French Translations of Australian Crime Fiction
    by Sarah Reed (Author) 2019
    ©2019 Monographs
  • Title: Changing Images of Law in Film and Television Crime Stories

    Changing Images of Law in Film and Television Crime Stories

    by Timothy O. Lenz (Author)
    ©2012 Textbook
  • Title: Sade in His Own Name

    Sade in His Own Name

    An Analysis of "Les Crimes de l‘amour</I>
    by Philippe Seminet (Author)
    ©2003 Monographs
  • Title: Profiling the American Detective

    Profiling the American Detective

    Parker’s Prose on the Coded Game of Sleuth and Rogue and the Tradition of the Crime Story
    by Georg Schmid (Author)
    ©2004 Monographs
  • Title: Representations of Justice

    Representations of Justice

    by Antoine Masson (Volume editor) Kevin O'Connor (Volume editor)
    ©2007 Conference proceedings
  • Title: Frauenkrimi / polar féminin

    Frauenkrimi / polar féminin

    Generic Expectations and the Reception of Recent French and German Crime Novels by Women
    by Nicola Barfoot (Author)
    ©2007 Thesis
  • Title: New Approaches to Crime in French Literature, Culture and Film

    New Approaches to Crime in French Literature, Culture and Film

    by Louise Hardwick (Volume editor)
    ©2009 Conference proceedings
  • Title: Catullan Mediations and Other Essays

    Catullan Mediations and Other Essays

    by Robert Eisenhauer (Author)
    ©2011 Monographs
  • Title: Crime Scenes

    Crime Scenes

    Latin American Crime Fiction from the 1960s to the 2010s
    by Charlotte Lange (Volume editor) Ailsa Peate (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Narratives of Money & Crime

    Narratives of Money & Crime

    Neoliberalism in Film, Literature and Popular Culture
    by Yasmin Temelli (Volume editor) Hans Bouchard (Volume editor) 2021
    ©2022 Edited Collection
  • Title: Dark Green

    Dark Green

    Irish Crime Fiction 1665-2000
    by David Clark (Author) 2022
    ©2022 Monographs
  • Criminal Humanities & Forensic Semiotics

    This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.

    5 publications

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