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From Revolution to Migration
A Study of Contemporary Cuban and Cuban American Crime Fiction©2012 Monographs -
Contact and Conflict in English Studies
Assistant editors: Christian Grösslinger / Christopher Herzog©2015 Edited Collection -
Investigating Fascism
Crime, Mystery, and the Fascist Ventennio in the Historical Novel©2017 Monographs -
Giorgio Scerbanenco
Urban Space, Violence and Gender Identity in Post-War Italian Crime Fiction©2016 Thesis -
The Double, the Labyrinth and the Locked Room
Metaphors of Paradox in Crime Fiction and Film©2011 Monographs -
Changing Images of Law in Film and Television Crime Stories
©2012 Textbook -
Profiling the American Detective
Parker’s Prose on the Coded Game of Sleuth and Rogue and the Tradition of the Crime Story©2004 Monographs -
Representations of Justice
©2007 Conference proceedings -
Frauenkrimi / polar féminin
Generic Expectations and the Reception of Recent French and German Crime Novels by Women©2007 Thesis -
New Approaches to Crime in French Literature, Culture and Film
©2009 Conference proceedings -
Catullan Mediations and Other Essays
©2011 Monographs -
Narratives of Money & Crime
Neoliberalism in Film, Literature and Popular Culture©2022 Edited Collection -
Criminal Humanities & Forensic Semiotics
This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.
5 publications