Edited By Melania Terrazas Gallego
The last two centuries of Irish history have seen great traumas that continue to affect Irish society. Through constructing cultural trauma, Irish society can recognize human pain and its source/s and become receptive to the idea of taking significant and responsible measures to remedy it. The intention of this volume is to show the mediating role of the literature and film scholar, the archivist, the social media professional, the historian, the musician, the artist and the poet in identifying Irish cultural trauma past and present, in illuminating Irish national identity (which is shifting so much today), in paying tribute to the memory and suffering of others, in showing how to do things with words and, thus, how concrete action might be taken.
Trauma and Identity in Contemporary Irish Culture makes a case for the value of trauma and memory studies as a means of casting new light on the meaning of Irish identity in a number of contemporary Irish cultural practices, and of illuminating present-day attitudes to the past. The critical approaches herein are of a very interdisciplinary nature, since they combine aspects of sociology, philosophy and anthropology, among other fields. This collection is intended to lead readers to reconsider the connections between trauma, Irish cultural memory, identity, famine, diaspora, gender, history, revolution, the Troubles, digital media, literature, film, music and art.
Working on this book has been a truly life-changing experience for me and it would not have been possible without the support and guidance that I received from many people. I want to thank the Spanish government, who provided a Salvador de Madariaga Visiting Scholarship which funded my research at NUI Galway two years ago. The research on which this volume is based was also funded by research projects REGI 2018/36, EICOD 19/18 and AOCYRC 19/23 (Vice-Rectorate for Research, University of La Rioja). I am also grateful to EMYDUR (School of Master and Doctorate Studies, University of La Rioja) for their support. This research is also in line with the objectives of the Centre of Irish Studies Banna/Bond (EFACIS), which I lead at the University of La Rioja.
I would like to say a very big thank you to the General Editor of Peter Lang’s Reimagining Series, Eamon Maher, and to Senior Commissioning Editor Anthony Mason, for trusting me to carry out this project and for all the support and encouragement they gave me during the months I spent editing this volume. Without their guidance and constant feedback, this volume would not exist. Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologizes for any errors or omissions in the above list and would be grateful for notification of any corrections that should be incorporated in future reprints or editions of this book....
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