The Portrayal of Nature in British Fantasy and its Projection in Ursula K. Le Guin’s Western American "Earthsea"
The portrayal of nature in the genre of fantasy fiction, from the Middle Ages to more modern times, has been conditioned by the diverging social, political and historical contexts. This book seeks to disclose how the natural world has been depicted within this genre during different periods, drawing a comparison between the British tradition of fantasy literature and Ursula K. Le Guin’s Earthsea cycle. Le Guin adheres to the general traits of the genre up to a point, but as a woman of the 20th century living in the American West, her works also deviate from the received tradition in many significant ways.
Critical Perspectives on English and AmericanLiterature, Communication and Culture
Edited byMaría José Álvarez-Faedo, Andrew Monnickendam & Beatriz Penas-Ibáñez
The peer-reviewed series provides a forum for first-class scholarship in the field of English and American Studies and focuses on English and American literature, drama, film, theatre and communication. The series welcomes critical perspectives on the reading and writing of texts, the production and consumption of high and low culture, the aesthetic and social implications of texts and communicative practices. It publishes monographs, collected papers, conference proceedings and critical editions. The languages of publication are both English and Spanish. Scholars are invited to submit their manuscripts to the editors or to the publisher.
Juan Jesús Zaro Shakespeare y sus traductores. Análisis crítico de siete traducciones españolas de obras de Shakespeare.
2007, 176 p. ISBN 978-3-03911-454-2
María José Chivite de León Echoes of History, Shadowed Identities. Rewriting Alterity in J. M. Coetzee’s Foe and Marina Warner’s Indigo.
2010, XVI, 241 p. ISBN 978-3-0343-0070-4
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