A Literary Analysis of the Abraham Narrative
The narrative’s artistic design is especially evident in its arrangement of the two halves of the story around the protagonists’ change of name. The stories of Abram and Sarai in the first half of the cycle (11:27-16:16) are parallel to the stories of Abraham and Sarah in the second half (18:1-22:24). A close reading of this transformation in the biblical narrative illuminates the moral and theological values championed by the figure of Abraham as luminary, soldier, family man, and loyal subject of God.
Chapter 10: The Debate over Sodom’s Destruction (18:16–33)
One of the complex issues of this episode relates to the boundaries of the text. Can the discussion about the destruction of Sodom (18:16–33) be separated from the divine visit to Abraham (18:1–15)? The difficulty is particularly apparent in v. 16, which closes one unit and opens the next, thereby linking the two: “The men set out from there and looked down toward Sodom, Abraham walking with them to see them off.” Most scholars saw the verse as an introduction to the Sodom narrative,1 while some regarded it as the conclusion of the previous story.2 Others suggested a division of the verse, so the first part can conclude the previous narrative and the second can serve as an introduction to the next.3
The verse “disbands characters” from the previous scene, thereby concluding the divine visit with Abraham.4 Additionally, the phrasing of the verse relies on the previous verse: “the men set out from there.” The location “there” can only be understood in relation to the previous episode. The description of Abraham, who accompanies them to “see them off,” is a direct continuation of his role as a host. However, the verse also has the angels looking toward Sodom, clearly introducing a new chapter; the angels go to Sodom for the purpose of ← 275 | 276 → evaluating the city, to determine whether it should be destroyed. One of the “visitors,” in fact, stays behind to discuss that very matter with Abraham. The conclusion...
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