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Modernist Visions

Marcel Proust’s «A la recherche du temps perdu» and Jean-Luc Godard’s «Histoire(s) du cinéma»

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Miriam Heywood

This book explores the work of two major twentieth-century artists by placing them in critical proximity. Marcel Proust’s A la recherche du temps perdu and Jean-Luc Godard’s Histoire(s) du cinéma connect in ways that the author accounts for through the agency of cinema and its theorisation. Cinema, the art form that characterises the twentieth century, provides the tools with which to recognise Proust’s and Godard’s shared poetic enterprise and the modernist underpinning that leads, in both cases, to the simultaneous rejection of and yearning for artistic transcendence. Rather than bringing Proust and Godard together by highlighting their similarity to cinema, the author instead considers the ways that these two major works respond to questions raised by film theory and philosophy. In this way, the communication across the formal and historical gulf that divides Proust and Godard makes itself heard.
This study offers a new approach to film-philosophy scholarship by embracing the cinematic as an inspiring channel through which to rethink not only our relationship with film but also with literature and, potentially, with art at large.

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Bibliography 245

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Bibliography Primary Material Godard, Jean-Luc, Histoire(s) du cinéma, 4 vols (Paris: Gallimard/Gaumont, 1999) Proust, Marcel, A la recherche du temps perdu, ed. by Jean Milly and others, 10 vols (Paris: GF Flammarion, 1984–7) —— Du côté de chez Swann, ed. by Jean Milly, Bernard Brun, and Anne Herschberg- Pierrot (1987) —— A l’ombre des jeunes filles en f leurs, ed. by Jean Milly and Danièle Gasiglia-Laster, 2 vols (1987) —— Le Côté de Guermantes, ed. by Jean Milly and Elyane Dezon-Jones, 2 vols (1987) —— Sodome et Gomorrhe, ed. by Jean Milly and Emily Eells-Ogée, 2 vols (1987) —— La Prisonnière, ed. by Jean Milly (1984) —— La Fugitive, ed. by Jean Milly (1986) —— Le Temps retrouvé, ed. by Jean Milly and Bernard Brun (1986) Secondary Materials (Books and Articles) Adorno, Theodor, and Hanns Eisler, Composing for the Films (New York: Oxford University Press, 1947; repr. London; Atlantic Highlands, NJ: Athlone Press, 1994) Alter, Nora M., ‘Mourning, Sound, and Vision: Jean-Luc Godard’s JLG/JLG’, Camera Obscura, 15:2 (2000), 75–103 Altman, Rick, ed., ‘Introduction’, Yale French Studies, Cinema/Sound, 60:1 (1980), 3–15 Artaud, Antonin, Œuvres complètes, 26 vols (Paris: Gallimard, 1961–94), III (1961) Aumont, Jacques, Amnésies: fictions du cinéma d’après Jean-Luc Godard (Paris: P. O. L., 1999) 246 Bibliography ——, ‘The Medium’, in Jean-Luc Godard: Son + Image, 1974–1991, ed. by Raymond Bel- lour and Mary Lea Bandy (New York: Museum of Modern Art, 1992), 205–13 ——, L’Œil interminable: cinéma...

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