Acknowledgements I would like to thank Loretta Innocenti for her constant encouragement and guidance. My thanks also to Valerio de Scarpis for his suggestions, to Francesco Berto for his advice, to Marisa Severi for her revision of the manuscript, and to Hannah Godfrey for her editorial assistance. I am most grateful to T. for his insights. The present treatment of The Waves and To the Lighthouse modifies and develops the argument in two previous articles of mine: ‘The Triple Visual Modality of The Waves by Virginia Woolf ’, Annali di Ca’ Foscari, 42/1–2 (2003), 245–73; ‘To the Lighthouse: The Remedial Function of the Visual and the Spatial’, in L. Innocenti, F. Marucci and E. Villari, eds, Pictures of Modernity (Venice: Cafoscarina, 2008) 129–48. Every ef fort has been made to trace copyright holders and to obtain their permission for the use of copyright material. The publisher apologizes for any errors or omissions in the above list and would be grateful for notifi- cation of any corrections that should be incorporated in future reprints or editions of this book.
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