German Media Representations of Ireland, 1946–2010
This book examines German media representations of Ireland from 1946 to 2010, from the post-war period to the years of the so-called «Celtic Tiger» and Ireland’s subsequent economic downturn. It charts both the patterns and the inconsistencies in depictions of Ireland in the weekly publications Der Spiegel and Die Zeit, as well as in German cinema.
Cultural stereotypes may be employed in the furthering of a problematic cultural essentialism; however, they may also be used to «play» with readers’ or viewers’ expectations. They may be juxtaposed with newer cultural generalizations, or re-moulded to fit a transformed cultural reality. The representations of Ireland examined in this book are revealed as inherently ideological, consistently locating Ireland outside of an evolving European societal «normalcy». While this is often presented as something highly positive, the book argues that it implicitly places Germany at the centre of Europe and may be viewed as a type of excluding Europeanism.
Primary Sources Journalistic Sources Der Spiegel Die Zeit Daily Mirror The Guardian The Independent Irish Examiner Irish Independent The Irish Times Irish Medical Times TheJournal.ie New Statesman The Telegraph Film and Television Texts von Ambesser, Axel, Er kann’s nicht lassen (Munich: Bavaria Filmkunst, 1962). Ashley, Helmut, Das schwarze Schaf (Munich: Bavaria Filmkunst, 1960). Hahn, Gerhard and Ramos, Royce, Bibi Blocksberg: Der Kobold aus der Briefkasten (Germany: Hahn Film AG, 2009). Herzog, Werner, Fitzcarraldo (Mainz and Munich: ZDF, Pro-ject, Werner Herzog Filmproduktion, 1981/1982). Kimmich, Max W., Der Fuchs von Glenarvon (Berlin: Tobis Filmkunst, 1939/1940). Kimmich, Max W., Mein Leben für Irland (Berlin: Tobis Filmkunst, 1940/1941). Lamprecht, Gerhard, Meines Vaters Pferde, Teil 1, Lena und Nicoline (Munich: Carl- ton Film, 1953/1954). 284 Bibliography Moore, Eoin, Conamara (Berlin: Boje Buck, 1999/2000). Roehler, Oskar, Elementarteilchen (Munich: Constantin Film, 2005/2006). Umgelter, Fritz, … nur der Wind (Berlin: Melodie Film, 1961). Waschneck, Erich, Die Rothschilds (Berlin: Ufa, 1940). Wurth, Franz Peter, Ein Tag, der nie zu Ende geht (Munich: Divinia Film, 1959). Secondary Sources Allen, Kieran, ‘Neither Boston nor Berlin: Class Polarisation and Neo-liberalism in the Irish Republic’, in: Coulter and Coleman, eds, The End of Irish History? 56–73. Altman, Rick, ‘A Semantic/Syntactic Approach to Film Genre’, in: Grant, ed., Film Genre Reader III, 27–4. Altman, Rick, The American Film Musical (Bloomington and Indianapolis: Indiana University Press, 1989). Anderson, James, and Goodman, James, ‘European and Irish Integration: Contradic- tions of Regionalism and Nationalism’, European Urban and Regional Studies 1/1 (1994), 49–62. Anderson, Perry,...
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