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Representations of War in Films and Novels

Edited By Richard Mason and Jarosław Suchoples

This book discusses different aspects of the cinematic and literary representation of war. The papers in this volume consider the roles of war films and war novels in remaking historical memories, the influence of films and novels as social media and debate their roles as instruments of propaganda and mystification. The book is organized along chronological and geographical lines, looking first at the First and Second World Wars in Europe; then the Pacific War; the Vietnam War; and espionage and propaganda in the Cold War and Post-Cold War.
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The Beginning of World War II in Polish Narrative Films: From the Collapse of the Communist System to the Present (1989–2013)




In September 1939, independent Poland was annihilated by a combined invasion of Nazi Germany and the Soviet Union. Because of the part played by the Soviets in the invasion, during rules of the Communists in Poland, i.e. between 1944/1945 and 1989, the outbreak of World War II was a sensitive topic. Authorities imposed clear limits and their point of view determined what could be told publicly about September 1939. Although there were some changes to the limits of freedom regarding the presentation of the beginning of World War II, restrictions continued to exist until the end of the Communist regime. These restrictions, or taboo, applied to all forms of public expression. However, art directed towards mass audiences – theatre and especially film – were under especially strict supervision. Only the collapse of the Communist system in Poland in 1989 and the abolishing of preventive censorship removed those limitations. These changes were also reflected in filmmaking. It became possible to present all aspects of the beginning of World War II in Polish narrative film. Nevertheless, during the past 25 years, in the post-Communist era, few films made by Polish directors have discussed September 1939 including those aspects (i.e. the Soviet aggression on Poland) which were permanently taboo for Poland’s Communists. This article presents these few narrative films made in Poland after 1989, which refer to the beginning of World War II. It also discusses their significance for the national remembrance of September 1939 and tries to explain why...

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