Edited By Pawel Schreiber and Joanna Malicka
Making alter egos up: Flann O’Brien’s narrative voices as deliberate impossibilities
Yes, the objective form is the most subjective in matter. Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth (Oscar Wilde, “The Critic As Artist,” 984).
1. At Swim-Two-Birds as a watershed in the twentieth century English novel
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