Music in Literature
Perspectives of Interdisciplinary Comparative Literature- Translated by Lindsay Davidson
Series:
Andrzej Hejmej
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- ISBN:
- 978-3-653-99858-0
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- Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien, 2014. 272 pp., num. fig., 1 table, 1 graph
- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Table of Content
- Introduction
- I. Text – Score
- II. “Classical” Theory of Intertextuality
- III. Consequences for Literary Studies
- IV. New Take on Intertextuality
- V. Intertextuality and Literary Score
- Part One Towards Modern Comparative Literature
- Stereotype(s) of Music in Literature
- I. The Stereotype of Analogy (General Aesthetics)
- II. Stereotype of (Non)Musicality of Literature
- III. Musical Contexts and Intertexts
- IV. Music in Literature (Attempts at Typology)
- Literary Score. Subject Matter of Interdisciplinary Comparative Literature ...
- I. Literature – Music (Methodological Remarks)
- II. “Scores” Without Notes (Review of the Issues)
- III. Literary Score (Musical Intertext)
- IV. Research Perspectives
- Interdisciplinarity and Comparative Studies
- I. Introductory Remarks
- II. Around Interdisciplinarity
- III. Comparative Literature – Interdisciplinarity
- IV. Interdisciplinary Comparative Literature
- V. Cultural Comparative Literature
- VI. Closing Remarks
- Part Two Text – Sound Text – Verbal Score
- Scores of Sound Poetry (Bernard Heidsieck’s Poèmes-partitions Cycle)
- I. Score – Sound Text
- II. Sound Poetry: Source, Tendencies, Defnitions
- III. Bernard Heidsieck’s Experiments
- 1. Visual text – sound text
- 2. Intermedial text
- 3. Sound Poetics – rhetorical fgures
- IV. Repercussions
- Miron Białoszewski’s (Sound) Text
- I. Types of Textuality (Theses)
- II. Noises – Clusters – Sounds (Aesthetics of Orality)
- III. Verbal Scores
- IV. From Score To “Knitting ...” (Imiesłów)
- V. Parallels
- Around Schaeffer’s Scores
- I. “Interdisciplinary Creator”
- II. Musical Experiments and Instrumental Theatre
- III. Theatrical/Stage/Dramaturgical Scores (Próby)
- IV. Consequences
- Part Three The Limits of Interpretation: Implied Score
- The Effect (Defect) of Translation of Chopin (Kornel Ujejski’s Zakochana) ....
- I. Introductory Remarks
- II. Kornel Ujejski and Music
- III. Chopin – Leonia Wild – Ujejski
- IV. Zakochana – Mazurka in A minor, Op. 7 No. 2
- V. Conclusions
- The Peripheral Signifcance of Music (Stanisław Barańczak’s Aria: Awaria) ...
- I. Mozart’s Don Giovanni – Literary Repercussions
- II. Intertextual Parallels
- Da Ponte – Barańczak (Phonetic-Compositional Parallels)
- Mozart – Barańczak (Prosodic-Semantic Parallels)
- III. Semantic Effects of Stylisation
- IV. Consequences
- Michel Butor’s Text-score (Dialogue avec 33 variations de Ludwig van Beethoven sur une valse de Diabelli)
- I. “Generalised Intertextuality”
- II. Butor’s Musical Discourse
- III. Score (Literary)
- IV. Butor’s Dialogue with Beethoven
- V. Other Butor
- Bibliography
- I. Artistic Context
- II. Musical-Literary Research Contexts
- III. Literary Research Contexts (Comparative Literature, Literary Theory, Criticism)
- Bibliographic Notes
- Index
- Subject index
- Summary
- Series index
Copyright
Chapter
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Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de.
Library of Congress Cataloging-in-Publication Data
Hejmej, Andrzej, author.
[Muzyka w literaturze. English]
Music in literature : perspectives of interdisciplinary comparative literature / Andrzej Hejmej ; translated by Lindsay Davidson.
pages cm. -- (Polish studies - Transdisciplinary perspectives ; Vol. 8)
Includes bibliographical references and index.
ISBN 978-3-631-62738-9
1. Music in literature. 2. Music and literature. 3. Intertextuality. I. Davidson, Lindsay,1973- II. Title.
PN56.M87H45 2014
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Or login to access all content.- Cover
- Title
- Copyright
- About the author(s)/editor(s)
- About the book
- This eBook can be cited
- Table of Content
- Introduction
- I. Text – Score
- II. “Classical” Theory of Intertextuality
- III. Consequences for Literary Studies
- IV. New Take on Intertextuality
- V. Intertextuality and Literary Score
- Part One Towards Modern Comparative Literature
- Stereotype(s) of Music in Literature
- I. The Stereotype of Analogy (General Aesthetics)
- II. Stereotype of (Non)Musicality of Literature
- III. Musical Contexts and Intertexts
- IV. Music in Literature (Attempts at Typology)
- Literary Score. Subject Matter of Interdisciplinary Comparative Literature ...
- I. Literature – Music (Methodological Remarks)
- II. “Scores” Without Notes (Review of the Issues)
- III. Literary Score (Musical Intertext)
- IV. Research Perspectives
- Interdisciplinarity and Comparative Studies
- I. Introductory Remarks
- II. Around Interdisciplinarity
- III. Comparative Literature – Interdisciplinarity
- IV. Interdisciplinary Comparative Literature
- V. Cultural Comparative Literature
- VI. Closing Remarks
- Part Two Text – Sound Text – Verbal Score
- Scores of Sound Poetry (Bernard Heidsieck’s Poèmes-partitions Cycle)
- I. Score – Sound Text
- II. Sound Poetry: Source, Tendencies, Defnitions
- III. Bernard Heidsieck’s Experiments
- 1. Visual text – sound text
- 2. Intermedial text
- 3. Sound Poetics – rhetorical fgures
- IV. Repercussions
- Miron Białoszewski’s (Sound) Text
- I. Types of Textuality (Theses)
- II. Noises – Clusters – Sounds (Aesthetics of Orality)
- III. Verbal Scores
- IV. From Score To “Knitting ...” (Imiesłów)
- V. Parallels
- Around Schaeffer’s Scores
- I. “Interdisciplinary Creator”
- II. Musical Experiments and Instrumental Theatre
- III. Theatrical/Stage/Dramaturgical Scores (Próby)
- IV. Consequences
- Part Three The Limits of Interpretation: Implied Score
- The Effect (Defect) of Translation of Chopin (Kornel Ujejski’s Zakochana) ....
- I. Introductory Remarks
- II. Kornel Ujejski and Music
- III. Chopin – Leonia Wild – Ujejski
- IV. Zakochana – Mazurka in A minor, Op. 7 No. 2
- V. Conclusions
- The Peripheral Signifcance of Music (Stanisław Barańczak’s Aria: Awaria) ...
- I. Mozart’s Don Giovanni – Literary Repercussions
- II. Intertextual Parallels
- Da Ponte – Barańczak (Phonetic-Compositional Parallels)
- Mozart – Barańczak (Prosodic-Semantic Parallels)
- III. Semantic Effects of Stylisation
- IV. Consequences
- Michel Butor’s Text-score (Dialogue avec 33 variations de Ludwig van Beethoven sur une valse de Diabelli)
- I. “Generalised Intertextuality”
- II. Butor’s Musical Discourse
- III. Score (Literary)
- IV. Butor’s Dialogue with Beethoven
- V. Other Butor
- Bibliography
- I. Artistic Context
- II. Musical-Literary Research Contexts
- III. Literary Research Contexts (Comparative Literature, Literary Theory, Criticism)
- Bibliographic Notes
- Index
- Subject index
- Summary
- Series index