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Title: Transmissions

Transmissions

Essays in French Literature, Thought and Cinema

by Isabelle McNeill (Volume editor) Bradley Stephens (Volume editor)
©2007 Conference proceedings 228 Pages
Romance Studies
Series: Modern French Identities, Volume 51

Summary

As a concept, transmission is crucial to our understanding of how ideas circulate within and across cultures. It opens up a series of questions that link to key debates concerning the exchange of knowledge. Bringing together research from a broad range of areas in French studies, this volume investigates the workings of transmission in relation to canonical and contemporary figures alike, including Proust, Barthes, Derrida, Jean-Luc Godard, and Claire Denis. The essays collected here offer a lively response to the themes of transmission, considering literature and philosophy from the medieval period onwards, as well as modern cinema and critical theory. The first section traces concepts of malign transmission that have informed medieval, early modern and finally contemporary representations of contagion. The second section addresses the impact of trauma, along with its imperative to testify to, or transmit, painful experiences such as rape and the Holocaust. The final section considers transmission in terms of a signal that carries a message, as well as the media that transport or encode that signal.

Details

Pages
228
Year
2007
ISBN (Softcover)
9783039107346
Language
English
Keywords
Cross-cultural Kongress Französisch Literatur Übertragung (Motiv) Geschichte Cambridge (2004) Philosophy Contagion Memory Desire Disruption
Published
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2007. 228 pp.

Biographical notes

Isabelle McNeill (Volume editor) Bradley Stephens (Volume editor)

The Editors: Isabelle McNeill studied for her first degree in Modern and Medieval Languages at Corpus Christi College, Cambridge, before obtaining an M.Phil. in European Literature and then completing a Ph.D. with the Department of French. She is currently Affiliated Lecturer in the department of French and a Fellow of Trinity Hall, Cambridge. She is working on theories of memory, journeys and the moving image in relation to recent French and Francophone cinema. She has published work on Godard’s Éloge de l’amour and on memory and the city in contemporary French film. Bradley Stephens studied for his first degree in Modern and Medieval Languages at Gonville and Caius College, Cambridge, before obtaining an M.Phil. in European Literature and then completing a Ph.D. with the Department of French. He is currently Lecturer in French at the University of Bristol, working on cultures of engagement in the nineteenth and twentieth centuries, and has published work on Victor Hugo and Jean-Paul Sartre.

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Title: Transmissions