This book analyses the relationship between literature, history and politics in post-Soviet Russia. It explores the impact of the collapse of the USSR on Russian literature and culture and the changing content and reception of fiction on historical themes under Presidents Yeltsin and Putin. It discusses the value of various theoretical concepts, such as postmodernism, trauma, nostalgia, and the notion of discourse as power, in analysing post-Soviet historical fiction.
The book shows that Russian society’s confrontation with its past has remained one of the main themes of Russian culture during the period 1991-2006. Notwithstanding the gradual decline of the literature of sensational disclosure associated with Gorbachev’s
perestroika, a more oblique investigation of many aspects of Russian and Soviet history and an interest in the philosophy of history have continued to be significant preoccupations of post-Soviet culture. Individual and family history continue to be explored in memoirs and autobiographical writings, while the history and destiny of Russia have been passionately debated in literary journals and the media, as Russians search for a new ‘national idea’ to fill the vacuum left by the collapse of communism.
This study suggests that there is a remarkable continuity between post-Soviet literature and pre-revolutionary Russian literature and thought.
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2007. 594 pp.
Contents: An analysis of Russian literary politics in the period 1991-2006 – An exploration of the continuities and discontinuities
between writers’ and readers’ approaches to history and historical fiction since the euphoric early days of perestroika
– An evaluation of various theoretical approaches to Russian historical fiction: postmodernism, trauma, nostalgia, and the
notion of discourse as power – The discussion of new historical controversies in post-Soviet literature, such as the role
of the Soviet traitor General Andrei Vlasov, the continuing presence of Lenin’s body in the Mausoleum on Red Square, the fall
of the monarchy, and the Soviet nuclear programme – A new emphasis on individual and family history, and a discussion of postmodernist,
‘alternative’ and ‘fantastic’ histories – Renewed discussions of the history and destiny of Russia, as Russians search for
a new ‘national idea’ to fill the vacuum left by the collapse of communism – The resurgence of certain long-standing attitudes
to history in Russia – Two significant case studies: the changing image of Stalin, and new treatments of the perennial theme
of Russia and the West.