This analysis of the ideal of
Heimat in Hesse's
Steppenwolf is a significant contribution to Hesse scholarship, as well as a fascinating re-evaluation of the culture-bound concept of
Heimat itself. Kiryakakis shows how the three novels form a trilogy, with each successive hero expanding upon and benefitting from the experiences of his precursor, and draws parallels between the novels and Hesse's own tenuous relationship to his
Heimat. Using both textual and biographical analysis, he examines the three novels within the framework of a continuum, which reflects various developmental stages in the heros' search for the lost ideal of
Heimat. Thus he shows how, ultimately, the trilogy not only depicts the development of an individual, but epitomizes the very nature of twentieth-century existence.