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Visual «difference»
Postcolonial Studies and Intercultural Cinema
Series:
Elizabeth Heffelfinger and Laura Wright
To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization – intercultural, global, third, and accented – while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of «postcolonial» as a fraught and evolving theoretical stance.
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Bibliography 189
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This is Africa 189Bibliography Aaron, Tristin. “Loveleen Tandan, Slumdog Millionaire’s Co-Director.” Women’s Media Center Majority Post. 30 Jan. 2009. Web. Achebe, Chinua. Things Fall Apart. New York: Houghton Mifflin, 1996. Print. Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” Public Culture 2.2 (1990): 1-24. Rpt. in Colonial Discourse and Post- Colonial Theory: A Reader. Ed. Patrick Williams and Laura Chrisman. New York: Columbia UP, 1994. 324-339. Print. Archibald, David. “Violence and Redemption: An Interview with Gavin Hood.” Cineaste 31.2 (2006): 44–47. Print. Arendt, Paul. “Movies: Blood Diamond (2007).” Rev. of Blood Diamond, dir. Edward Zwick. BBC. British Broadcasting Co, 26 Jan. 2007. Web. 30 Dec. 2007. Armes, Roy. Postcolonial Images: Studies in North African Film. Bloomington: Indiana UP, 2005. Print. Arora, Kulvinder. “The Mythology of Female Sexuality: Alternative Narratives of Belonging.” Women: A Cultural Review 17.2 (2006): 220–50. Print. “Avatar Rules Box Office for Sixth Weekend.” Reuters.com. Thomson Reuters, 24 Jan. 2010. Web. 4 June 2010. Babington, Bruce. A History of the New Zealand Fiction Feature Film. Man- chester: Manchester UP, 2007. Print. Badt, Karin Luisa. “I Want My Films to Explode with Life: An Interview Mira Nair.” Cineaste Winter 2004: 10-15. Print. Bahri, Deepika. “The Namesake.” Film Quarterly 61.1 (2007): 10–15. Print. Ballal, Prateeti Punja. “Illiberal Masala: The Disaporic Distortions of Mira Nair and Dinesh D’Souza.” Weber: The Contemporary West. 15.1 (Winter 1998) Bansak, Edmund G. Fearing the Dark: The Val Lewton Career. Jefferson: McFarland & Co, 1995. Print. Bibliography 190 Visual Difference Barnard, Rita....
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