Visual «difference»
Postcolonial Studies and Intercultural Cinema
Series:
Elizabeth Heffelfinger and Laura Wright
Bibliography 189
Extract
This is Africa 189Bibliography Aaron, Tristin. “Loveleen Tandan, Slumdog Millionaire’s Co-Director.” Women’s Media Center Majority Post. 30 Jan. 2009. Web. Achebe, Chinua. Things Fall Apart. New York: Houghton Mifflin, 1996. Print. Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” Public Culture 2.2 (1990): 1-24. Rpt. in Colonial Discourse and Post- Colonial Theory: A Reader. Ed. Patrick Williams and Laura Chrisman. New York: Columbia UP, 1994. 324-339. Print. Archibald, David. “Violence and Redemption: An Interview with Gavin Hood.” Cineaste 31.2 (2006): 44–47. Print. Arendt, Paul. “Movies: Blood Diamond (2007).” Rev. of Blood Diamond, dir. Edward Zwick. BBC. British Broadcasting Co, 26 Jan. 2007. Web. 30 Dec. 2007. Armes, Roy. Postcolonial Images: Studies in North African Film. Bloomington: Indiana UP, 2005. Print. Arora, Kulvinder. “The Mythology of Female Sexuality: Alternative Narratives of Belonging.” Women: A Cultural Review 17.2 (2006): 220–50. Print. “Avatar Rules Box Office for Sixth Weekend.” Reuters.com. Thomson Reuters, 24 Jan. 2010. Web. 4 June 2010. Babington, Bruce. A History of the New Zealand Fiction Feature Film. Man- chester: Manchester UP, 2007. Print. Badt, Karin Luisa. “I Want My Films to Explode with Life: An Interview Mira Nair.” Cineaste Winter 2004: 10-15. Print. Bahri, Deepika. “The Namesake.” Film Quarterly 61.1 (2007): 10–15. Print. Ballal, Prateeti Punja. “Illiberal Masala: The Disaporic Distortions of Mira Nair and Dinesh D’Souza.” Weber: The Contemporary West. 15.1 (Winter 1998) Bansak, Edmund G. Fearing the Dark: The Val Lewton Career. Jefferson: McFarland & Co, 1995. Print. Bibliography 190 Visual Difference Barnard, Rita....
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