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Aesthetic Rivalries

Word and Image in France, 1880–1926

by Linda Goddard (Author)
©2012 Monographs XII, 316 Pages

Summary

This book explores interaction and competition between painting and literature in France, from the late nineteenth century to the early twentieth, offering new readings of works by key figures including Paul Gauguin, Stéphane Mallarmé, Pablo Picasso and André Gide. Combining close visual and literary analysis with a broader examination of critical discourse, the volume uncovers a mutual but often contentious exchange of ideas. The author challenges habits of periodisation, drawing attention to the links between Symbolist and Cubist criticism. Issues such as the debate about ‘literary’ painting, the role of art criticism and artists’ writings, as well as themes such as newspapers and gold, alchemy and forgery, are shown to connect the two centuries. In examining how the rejection of mimesis in painting affected literary responses to the visual arts, the book explores a shift in power from the verbal to the visual in the early decades of the twentieth century.

Details

Pages
XII, 316
Publication Year
2012
ISBN (PDF)
9783035302745
ISBN (Softcover)
9783039118793
DOI
10.3726/978-3-0353-0274-5
Language
English
Publication date
2012 (April)
Keywords
Hierarchies of the senses in Symbolist criticism Word and image in Cubist criticism Mallarmé, Picasso and the aesthetic of the newspaper Gauguin's relationship with literary symbolism Interchange and rivalry between the arts
Published
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2012. XII, 316 pp., num. coloured ill.

Biographical notes

Linda Goddard (Author)

Linda Goddard is a Lecturer in Art History at the University of St Andrews. She was previously a British Academy Postdoctoral Fellow at the Courtauld Institute of Art, where she completed a PhD in 2004. She is currently working on a book about the writings of Paul Gauguin.

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Title: Aesthetic Rivalries