Loading...

Reconfiguring the Modern American Lyric

The Poetry of James Tate

by Anthony Caleshu (Author)
Monographs X, 257 Pages
Series: Modern Poetry, Volume 5

Summary

James Tate is one of America’s most respected and senior poets, whose influence is increasingly widespread. However, his whimsical play has long challenged critics to read him with any depth. After winning the Yale Prize in 1967 for his first book, The Lost Pilot, published when he was just twenty-three, Tate has since gone on to win major literary awards including the Pulitzer Prize, the National Book Award, and the Tanning Prize for Lifetime Achievement from the Academy of American Poets.
This is the first monograph dedicated to Tate’s œuvre. The author provides a practical reading theory for Tate, complete with contextual frameworks. Close readings of Tate’s work are informed by the purposeful purposelessness of Kant, the surrealist debt to Breton, and the problems and pleasures of language as explored by Derrida. Tate’s great achievement is no less than a reconfiguring of the modern American lyric as a poetry of dramatic and dialogic narrative. Composed out of ‘odds and ends ... of no great moment’, as the poet himself writes, Tate’s work extends the varied American traditions of writers such as William Carlos Williams, Wallace Stevens, John Berryman, and John Ashbery.

Details

Pages
X, 257
ISBN (PDF)
9783035301632
ISBN (Hardcover)
9783034301749
Language
English
Publication date
2011 (August)
Published
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2011. X, 257 pp.

Biographical notes

Anthony Caleshu (Author)

Anthony Caleshu is Associate Professor of English and Creative Writing at the University of Plymouth. His writing on James Tate has appeared widely in various magazines and book chapters. He is the author of two books of poems, of which the most recent is Of Whales: In Print, in Paint, in Sea, in Stars, in Coin, in House, in Margins (2010).

Previous

Title: Reconfiguring the Modern American Lyric