Dislocated Identities

Exile and the Self as (M)other in the Writing of Reinaldo Arenas

by Wendy McMahon (Author)
©2012 Monographs VI, 266 Pages


This book offers a significant, original and timely contribution to the study of one of the most important and notorious Latin American authors of the twentieth century: Reinaldo Arenas. The text engages with the many extraordinary intersections created between Arenas’ writing, the autobiographical construction of the literary subject and the exilic condition.
Through focusing on texts written on the island of Cuba and in exile, the author analyses the ways in which Arenas’ writing emblemises a complex process of identification with, and rejection of, his homeland – always an imagined place and which is, as the place of his origins, intrinsically related to the maternal. She examines how the maternal and the motherland are conflated and how the narrator-protagonists’ identification is always in relation to, and dependent upon, this dominant motif. The book also explores the extent to which Arenas’ writing is a tortuous attempt to escape from this dominance and to free himself and his writing from the ties that bind him to the mother and the motherland, and shows that Arenas suffered the exilic condition long before his move to the United States in 1980 as part of the Mariel exodus.


VI, 266
ISBN (Softcover)
Publication date
2012 (May)
Pentagonía - Farewell to the Sea The Color of Summer, or the Garden of Earthly Delights Pentagonía - The Assault The Palace of the White Skunks Pentagonía - Singing From the Well
Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2012. VI, 266 pp.

Biographical notes

Wendy McMahon (Author)

Wendy-Jayne McMahon is Lecturer in American Studies at the University of East Anglia, where she teaches and researches the literatures and cultures of the Caribbean and Latin America, literature written in exile in the United States and twenty-first-century American culture.


Title: Dislocated Identities