Table Of Content
- About the editors
- About the book
- This eBook can be cited
- Advance Praise for Gender and Violence in Spanish Culture
- Table of Contents
- The Configuration of Gender Violence: A Matrix to Be Reloaded (María José Gámez Fuentes / Rebeca Maseda García)
- Part One: Theory and Politics
- Chapter One: To Conceptualize Is to Politicize: Why Spain Has Acted as a Pioneer Regarding Gender Violence (Ana de Miguel Álvarez)
- Chapter Two: In the Wake of Ana Orantes: For an Ethical Representation of Violence Against Women (Juana Gallego Ayala)
- Chapter Three: Silenced Voices: Prostitutes, Lesbians, and “Bad Women” in Spanish Public Policies on Gender Violence (Emma Gómez Nicolau)
- Part Two: Activism and Associations
- Chapter Four: Tactical Media and Activism Against Gender-Based Violence: Fetishization and Counterhegemonic Frameworks of Recognition (Sonia Núñez Puente)
- Chapter Five: Feminist Activism and the Role of Memory in Revisiting the Discourse on Gender Violence in Spain (Laura Castillo Mateu)
- Chapter Six: Dialogues Among Diverse Women: Transforming Established Hegemonic Narratives in Associative Initiatives (Lídia Puigvert / Cristina Pulido)
- Part Three: Cultural Production
- Chapter Seven: Narrative Representations of Gendered Violence and Women’s Resistance in Francoist Spain: Dulce Chacón’s La voz dormida (2002) and Almudena Grandes’s Inés y la alegría (2010) (Sarah Leggott)
- Chapter Eight: From The Rape of Europa to Art Against Gender Violence in Spanish Culture (Marián López Fernández Cao / Juan Carlos Gauli)
- Chapter Nine: Homophobia, Ethical Witnessing, and the Matrix of Gendered Violence: Issues of Intersectionality in Luppi/Hornos’s Pasos (Alfredo Martínez-Expósito)
- Chapter Ten: Ella(s): Resisting Victimhood, Unveiling Institutional Violence in Docufiction (Vera Burgos-Hernández)
- Chapter Eleven: Carmina o revienta and Carmina y amén: Female Transgressions of Victimhood in Spanish Popular Cinema (María Castejón Leorza / Rebeca Maseda García)
- Chapter Twelve: No More Victims: Changing the Script (Rebeca Maseda García / María José Gámez Fuentes)
- Series index
Gender and Violence
in Spanish Culture
María José Gámez Fuentes
and Rebeca Maseda García
New York • Bern • Frankfurt • Berlin
Brussels • Vienna • Oxford • Warsaw
Library of Congress Cataloging-in-Publication Data
Names: Gámez Fuentes, María José, editor. | Maseda García, Rebeca, editor.
Title: Gender and violence in Spanish culture: from vulnerability to accountability /
edited by María José Gámez Fuentes and Rebeca Maseda García.
Description: New York: Peter Lang, 2018.
Series: Violence studies; vol. 3 | ISSN 2161-2668
Includes bibliographical references and index.
Identifiers: LCCN 2017026092 | ISBN 978-1-4331-3998-7 (hardback: alk. paper)
ISBN 978-1-4331-3999-4 (epdf) | ISBN 978-1-4331-4000-6 (epub) ISBN 978-1-4331-4001-3 (mobi)
Subjects: LCSH: Women—Violence against—Spain—History.
Classification: LCC HV6250.4.W65 G4625 | DDC 362.88082/0946—dc23
LC record available at https://lccn.loc.gov/2017026092
Bibliographic information published by Die Deutsche Nationalbibliothek.
Die Deutsche Nationalbibliothek lists this publication in the “Deutsche Nationalbibliografie”; detailed bibliographic data are available on the Internet at http://dnb.d-nb.de/.
© 2018 Peter Lang Publishing, Inc., New York
29 Broadway, 18th floor, New York, NY 10006
All rights reserved.
Reprint or reproduction, even partially, in all forms such as microfilm,
xerography, microfiche, microcard, and offset strictly prohibited.
About the book
For the true exercise of citizenship to occur, gender violence must be eradicated, as it is not an interpersonal problem, but an attack on the very concept of democracy. Despite increasing social awareness and legal measures taken to fight gender violence, it is still prevalent worldwide. Even in a country such as Spain, praised in the UN Handbook for Legislation on Violence Against Women (2010) for its advanced approach on gender violence, the legal framework has proved insufficient and deeper sociocultural changes are needed. This book presents, in this respect, groundbreaking investigations in the realm of politics, activism, and cultural production that offer both a complex picture of the agents involved in its transformation and a nuanced panorama of initiatives that subvert the normative framework of recognition of victims of gender violence. As a result, the book chapters articulate a construction of the victim as a subject that reflects and acts upon her/his experience and vulnerability, and also adopt perspectives that frame accountability within the representational tradition, the community, and the state.
This eBook can be cited
This edition of the eBook can be cited. To enable this we have marked the start and end of a page. In cases where a word straddles a page break, the marker is placed inside the word at exactly the same position as in the physical book. This means that occasionally a word might be bifurcated by this marker.
Advance Praise for
Gender and Violence in Spanish Culture
“This multivocal collection offers a nuanced account of the social rituals of normalization that set the conditions of gender violence and make it possible, ‘ordinary,’ and ultimately silenced. In delving into the intricacies of normative gender violence, the book interrogates the discursive matrices of gender and violence, as well as of the entrenched construction of gender-and-violence, including female victimhood and the paternalistic snares of recognition. Locally grounded and self-consciously situated, it powerfully reconsiders the current critical field of gender violence/power and its epistemological premises by suggesting new feminist conceptions (at once theoretical and political) of transformative critique and responsibility.”
—Athena Athanasiou, Professor of Social Anthropology and Gender Studies,
Panteion University, Greece; Co-author with Judith Butler
of Dispossession: The Performative in the Political
“This collection builds an arresting account of the configuration of gender violence in modern Spanish contexts, but it also proposes a conceptual reconfiguration. Gender violence and reactions to it are opened up from a series of disciplinary perspectives, acutely drawn together by the editors in an exemplary introduction. Activism, creativity, genuinely critical theory, and a progressive, often queered feminist politics traverse the collection. With the majority of the research originally conducted through the medium of Spanish and focusing on crucial case studies and sites of resistance in Spain, the collection brings to the English-speaking scholarly world new and exceptionally significant material that would otherwise be less well known.”
—Chris Perriam, Professor of Hispanic Studies, University of Manchester, United Kingdom;
Member of the Editorial Collective of the Journal of Spanish Cultural Studies and
of the Editorial Boards of the Bulletin of Hispanic Studies, Studies in Spanish &
Latin American Cinemas and Contemporary Hispanic and Lusophone Cultures
Table of Contents
Lídia Puigvert and Cristina Pulido←vii | viii→
Index ←viii | ix→
- XIV, 236
- ISBN (PDF)
- ISBN (ePUB)
- ISBN (MOBI)
- ISBN (Book)
- Publication date
- 2018 (January)
- New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2018. XIV, 236 pp., 4 b/w ill.