Postcolonial Nation and Narrative III: Literature & Cinema
Cape Verde, Guinea-Bissau and São Tomé e Príncipe
Memory, history, migration and diaspora are core notions in the recreation and reconceptualization of the nation and its identities in Capeverdian, Guinean and Saotomean literary and cinematographic culture. Acknowledging that the idea of the postcolonial nation intersects with other social, political, cultural and historical categories, this book scrutinizes written and visual representations of the nation from a wide range of inter- and transdisciplinary perspectives, including literary and film studies, gender studies, sociology, and post-colonial and cultural studies. It makes a valuable contribution to current debates on postcolonialism, nation and identity in these former Portuguese colonies.
Table Of Content
- About the editors
- About the book
- This eBook can be cited
- List of Figures
- Introduction: Postcolonial Nation and Narrative, Cinema and Literature (Ana Mafalda Leite)
- Part I African Cinema, National, Transnational, Decolonial and Lusophone?
- Lusophone Cinemas in Transnational Perspective (Paulo de Medeiros)
- African Cinema: A Transnational Cinema? The Decolonial Cinema of Flora Gomes (Ute Fendler)
- The ‘Sounds’ of Lusophony: The Question of Language in Two Films with Cape Verdean Themes (Ellen W. Sapega)
- Part II Visual Narratives and Poetics
- Between Realities and Scenarios: Duty and Authority to Narrate the Nation between Images (Sheila Khan)
- José Carlos Schwarz’s Poetics and the Guinean Nation: Relations between Cinema, Literature, Music, Memory and History (Carmen Lúcia Tindó Secco)
- The Prayers of Mansata by Abdulai Sila: Performing the Postcolony (Elena Brugioni)
- Part III The Films of Flora Gomes
- Flora Gomes: Resilient Hope on Scant Chances (Joana Passos)
- Authorial Features in African Cinema: The Case of the Guinean Flora Gomes (Jusciele Conceição Almeida de Oliveira / Mirian Tavares)
- Where Is Cabral? Postnational Culture and Liberation in Nha fala (Mark Sabine)
- Part IV Leão Lopes’s and Pedro Costa’s Cape Verdean Cinema
- When the Chess Board Had Only White Pieces: A Study of Ilhéu de Contenda, the Book and the Film (Jane Tutikian)
- In Search of the White Father: Filming the Island of Fogo in the Cinema of Pedro Costa and Leão Lopes (Hilary Owen)
- Wreckage, Fragments and Non-Places: The Life of Cape Verdean Immigrants in Cavalo Dinheiro by Pedro Costa (Doris Wieser)
- Part V Documentary Narratives on Cape Verde and São Tomé e Príncipe
- Intertwining Histories: Documentary Narratives on São Tomé and Cape Verde (Jessica Falconi)
- Zooming in on the Edges: Narratives of the Santomean Nation in the Documentaries of Ângelo Torres (Kamila Krakowska)
- Part VI Postcolonial and Postnational Literature
- After Nationalism: Literary Configurations of Contemporary Postcolonialities in Cape Verde, Guinea-Bissau and São Tomé e Príncipe (Emanuelle Santos)
- ‘Eva das Mil Pessoas’: Politics and Hyper-sexuality in Germano Almeida’s Eva (Luís Madureira)
- Notes on Contributors
- Series Index
Ana Mafalda Leite, Hilary Owen, Ellen
W. Sapega and Carmen Tindó Secco
and Narrative III:
Literature & Cinema
Cape Verde, Guinea-Bissau and
São Tomé e Príncipe. Essays
Oxford • Bern • Berlin • Bruxelles • New York • Wien
Bibliographic information published by Die Deutsche Nationalbibliothek.
Die Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie;
detailed bibliographic data is available on the Internet at http://dnb.d-nb.de.
A catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Cover image: Cloth of Guinea-Bissau I. Photo by José Eduardo Leite.
Cover design: Peter Lang Ltd.
ISBN 978-1-78707-581-8 (print) • ISBN 978-1-78707-586-3 (ePDF)
ISBN 978-1-78707-587-0 (ePub) • ISBN 978-1-78707-588-7 (mobi)
© Peter Lang AG 2019
Published by Peter Lang Ltd, International Academic Publishers,
52 St Giles, Oxford, OX1 3LU, United Kingdom
Ana Mafalda Leite, Hilary Owen, Ellen W. Sapega and Carmen Tindó Secco asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Editors of this Work.
All rights reserved.
All parts of this publication are protected by copyright.
Any utilisation outside the strict limits of the copyright law, without
the permission of the publisher, is forbidden and liable to prosecution.
This applies in particular to reproductions, translations, microfilming,
and storage and processing in electronic retrieval systems.
This publication has been peer reviewed.
ANA MAFALDA LEITE is Associate Professor at the University of Lisbon. Her areas of research include Mozambican literature, African cultures and literatures in the Portuguese language, oral literature and postcolonial studies. Her publications include Oralidades & Escritas Pós-Coloniais (2012).
HILARY OWEN is Professor Emerita of Portuguese and African Studies at the University of Manchester. Her most recent publication, with Claudia Pazos Alonso, is Antigone's Daughters?: Gender, Genealogy, and the Politics of Authorship in Twentieth-Century Portuguese Women's Writing (2011).
ELLEN W. SAPEGA is Professor of Portuguese at the University of Wisconsin-Madison. Her publications include Consensus and Debate in Salazar’s Portugal: Visual and Literary Negotiations of the National Text (2008).
CARMEN TINDÓ SECCO is Professor of African Literatures in the Portuguese Language at the Federal University of Rio de Janeiro. Her publications include A magia das letras africanas (2003), Brasil/África: como se o mar fosse mentira (2003) and África & Brasil – letras em laços (2010).
About the book
This volume investigates literary and cinematographic narratives from Cape Verde, Guinea-Bissau and São Tomé and Príncipe, analysing the different ways in which social and cultural experience is represented in postcolonial contexts. It continues and completes the exploration of the postcolonial imaginary and identity of Portuguese-speaking Africa presented in the earlier volume Narrating the Postcolonial Nation: Mapping Angola and Mozambique (2014).
Memory, history, migration and diaspora are core notions in the recreation and reconceptualization of the nation and its identities in Cape Verdean, Guinean and São Tomean literary and cinematographic culture. Acknowledging that the idea of the postcolonial nation intersects with other social, political, cultural and historical categories, this book scrutinizes written and visual representations of the nation from a wide range of inter- and transdisciplinary perspectives, including literary and film studies, gender studies, sociology, and post-colonial and cultural studies. It makes a valuable contribution to current debates on postcolonialism, nation and identity in these former Portuguese colonies.
This eBook can be cited
This edition of the eBook can be cited. To enable this we have marked the start and end of a page. In cases where a word straddles a page break, the marker is placed inside the word at exactly the same position as in the physical book. This means that occasionally a word might be bifurcated by this marker.
Index←vii | viii→ ←viii | ix→
Figure 6.1. Act II, Djapuf Power, Scene 1. The meeting of the Supreme Leader Mwankeh with all the advisors who will be charged with seeking Mansata and her Prayers. Photograph by Eduardo Pinto, As Orações de Mansata – Ensaios <https://pstage.wordpress.com/as-oracoes-de-mansata/galerias-odm/odm-ensaios-eduardo-pinto/#jp-carousel-1401>
Figure 6.2. Act IV, Power à La Carte, Scene 2. The meeting between all the Advisors who will be charged with seeking Mansata and her Prayers, led by Amamabarka. Photograph by Augusto Baptista, As Orações de Mansata – Ensaios <https://pstage.wordpress.com/as-oracoes-de-mansata/galerias-odm/ensaios-odm-augusto-baptista/#jp-carousel-1246>
Figure 6.3. Opening and Closing Scene. Photograph by Augusto Baptista As Orações de Mansata – Ensaios <https://pstage.wordpress.com/as-oracoes-de-mansata/galerias-odm/ensaios-
Figure 6.4. Act II, Scene 3. Meeting of the Supreme Leader with the three seers, Kamala Djonko, Djinna Hara and Yewta Yawta. Photograph by Augusto Baptista As Orações de Mansata – Ensaios <https://pstage.wordpress.com/as-oracoes-de-mansata/galerias-odm/ensaios-odm-augusto-baptista/#jp-carousel-1249>←ix | x→
- X, 326
- ISBN (PDF)
- ISBN (ePUB)
- ISBN (MOBI)
- ISBN (Softcover)
- Publication date
- 2019 (October)
- Cape Verde Guinea Bissau postcolonial literature postcolonial cinema Sao Tome and Principe
- Oxford, Bern, Berlin, Bruxelles, New York, Wien, 2019. X, 326 pp., 8 fig. b/w