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Goethe and the Poodle

Albert Lindner’s «The Dog of Aubri» (1869)

by Catherine M. Young (Volume editor) Christine Marks (Volume editor)
©2025 Others XXII, 152 Pages
Series: German Studies in America, Volume 81

Summary

Goethe and the Poodle is the first English translation of scholar Albert Lindner's 1869 play Der Hund des Aubri, which premiered at Berlin's Wallner Theater during the German Wars of Unification. Inspired by actual events, Lindner's eccentric play stages the conspiracy to bring a popular melodrama featuring a trained poodle to the Weimar Court theater in 1817, Johann Wolfgang von Goethe's resistance to the performance, and his subsequent departure after leading the theater for 26 years. Thorough annotations explain the play's cultural and geographic references, and the introductory essay analyzes aesthetic debates surrounding Weimar Classicism, popular taste, and animal performance. Archival images including playbills, portraits, and the 1812 Weimar Theater Laws supplement the volume's contributions to theater history.

“This superbly compiled and provocative edition makes available for the first time in English translation Albert Lindner’s metatheatrical play on the canine conflict that disrupted Goethe’s Weimar Classicism with melodramatic sensation to herald modernism. The critical apparatus offers a rich historiographical frame for reading diegetic animals in performance, while images of primary documents help vivify the context. Thus framed and honed with two staged readings, the German- and English-language play texts raise intriguing questions about des Pudels Kern, the absent/present poodle’s core meaning. Faustian allusions evoke disturbing dynamics of white patriarchy amid complex intersections of political and theatrical autocracies that resound to the present day.”
– Professor Kim Marra, University of Iowa
“In Goethe and the Poodle, you get not only an extraordinary play but, also, extraordinary history. Young and Marks make Lindner's nineteenth-century play accessible, bringing out its humor and its theatricality. In the introduction and footnotes, they use the play to teach the reader about the sweep of nineteenth-century German theater, from Goethe and French melodrama through to unified Germany. The book is eminently teachable, in German as well as English, and very entertaining.”
– Professor Matt Cornish, Ohio University

Details

Pages
XXII, 152
Publication Year
2025
ISBN (PDF)
9781803745602
ISBN (ePUB)
9781803745619
ISBN (Softcover)
9781803743714
DOI
10.3726/b22008
Language
English
Publication date
2025 (June)
Keywords
Berlin Carl August court intrigue diegetic dogs Germany Goethe Caroline Jagemann Melodrama metatheatrical performance poodle power struggle theater theater Laws Theater an der Wien Vienna Weimar Weimar Classicism Wallner Theater
Published
Oxford, Berlin, Bruxelles, Chennai, Lausanne, New York, 2025. xxii, 152 pp., 14 fig. col., 7 fig. b/w.
Product Safety
Peter Lang Group AG

Biographical notes

Catherine M. Young (Volume editor) Christine Marks (Volume editor)

Catherine M. Young is a theater and performance historian living in New York City. She researches popular performance including circus, vaudeville, and musicals. Christine Marks is Professor of English and Co-Program Director of the Liberal Arts: Health Humanities program at LaGuardia Community College, City University of New York.

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Title: Goethe and the Poodle