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Women Writers and Painters in British Women’s Novels of the 1940s and 1950s

Creativity, Gender and the Middlebrow

by Leonie Kappus (Author)
©2026 Thesis 316 Pages

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Summary

Few novels from the period examined in this study portray female artists as one of the main characters. Yet, the ones that do exist prove to be impressive representations of female creativity. All of these novels subtly criticize the contrast between the idea of feminitity and the notion of creativity, demonstrating how women artists constantly had to renegotiate their gender-specific positions as artists. Through close reading of the novels, which were often categorized as 'middlebrow', and consideration of their cultural and historical contexts, this study examines how writers such as Elizabeth Taylor, Barbara Pym, and others question stereotypes of female creativity. The book offers a captivating look at narrative techniques that go beyond mere entertainment, opening a window onto a world in which these writers found their own artistic voices.

Details

Pages
316
Publication Year
2026
ISBN (Hardcover)
9783631945933
Language
English
Keywords
Middlebrow novels British women writers female writing women painters women writers women in arts 1950s 1940s Britain female creativity women and society narrative strategies gender metafiction romance social novel
Published
Berlin, Bruxelles, Chennai, Lausanne, New York, Oxford, 2026. 316 pp.
Product Safety
Peter Lang Group AG

Biographical notes

Leonie Kappus (Author)

Leonie Kappus studied Modern Languages, Cultures, and Business at the University of Giessen, where she focused on English and American Studies, Business Administration, and Bohemian Studies. She later completed her doctorate in English Literature at Ludwig Maximilian University of Munich. Her research explores twentieth-century British literature, especially in relation to gender, creativity, and cultural representation.

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Title: Women Writers and Painters in British Women’s Novels of the 1940s and 1950s