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  • Title: Cultural Realism: Reconsidering Magical Realism in the Works of Contemporary American Women Writers
  • Title: Catching Butterflies

    Catching Butterflies

    Bringing Magical Realism to Ground
    by Maria Takolander (Author)
    ©2007 Thesis
  • Title: The Emmett Till Trauma in US Fiction

    The Emmett Till Trauma in US Fiction

    Psychological Realism, Magic Realism, and the Spectral
    by Martín Fernández Fernández (Author) 2023
    ©2023 Monographs
  • Title: «Eyes deep with unfathomable histories»

    «Eyes deep with unfathomable histories»

    The Poetics and Politics of Magic Realism Today and in the Past
    by Liliana Sikorska (Volume editor) Agnieszka Rzepa (Volume editor) 2012
    ©2013 Edited Collection
  • Title: Transgressive Itineraries

    Transgressive Itineraries

    Postcolonial Hybridizations of Dramatic Realism
    by Marc Maufort (Author)
    ©2003 Monographs
  • Title: Scheherazade’s Daughters

    Scheherazade’s Daughters

    The Power of Storytelling in Ecofeminist Change
    by Barbara Bennett (Author) 2013
    ©2012 Monographs
  • Title: Narratives of French Modernity

    Narratives of French Modernity

    Themes, Forms and Metamorphoses- Essays in Honour of David Gascoigne
    by Lorna Milne (Volume editor) Mary Orr (Volume editor) 2011
    ©2011 Others
  • Title: The Power of Smell in American Literature

    The Power of Smell in American Literature

    Odor, Affect, and Social Inequality
    by Daniela Babilon (Author) 2017
    ©2017 Thesis
  • Modern French Identities

    ISSN: 1422-9005

    This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

    155 publications

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