Studies in the History and Culture of Scotland

ISSN: 1661-6863

This series presents a new reading of Scottish culture, establishing how Scots, and non-Scots, experience the devolved nation. Within the context of a rapidly changing United Kingdom and Europe, Scotland is engaged in an ongoing process of self-definition. The series will deal with this process as well as with cultural phenomena, from debates about the relative value of Gaelic-based, Scots and Anglicised culture, to period-specific definitions of Scottish identity. Orally transmitted culture – from traditional narratives to songs, customs, beliefs and material culture – will be a key consideration, along with the reconstruction of historical periods in cultural texts (visual and musical as well as historical). Taken as a whole, the series will go some way towards achieving a new understanding of a country with potential for development into parallel treatments of locally based cultural phenomena. The series welcomes monographs as well as collected papers.

14 publications

Christianity and Conversion in Scandinavia and the Baltic Region, c. 800-1600

ISSN: 2694-555X

Series Editor: Mihai Dragnea (University of South-Eastern Norway) This is a single-blind peer reviewed series which provides an opportunity for scholars to publish high-quality studies on the culture, society and economy of East Central, Eastern and Northern Europe under the influence of Christianity. It welcomes submissions in various formats, including monographs, edited volumes, conference proceedings, and short form publications between 30,000 to 50,000 words (Peter Lang Prompts) on subjects related to: Christian kingship, Christian and pagan identity, cultural encounters, otherness, barbarians, missionary strategy, canon law, canonical aspects of missionary work, forced conversion, clerical involvement in warfare, military orders, Holy War, martyrdom, sacralisation of a landscape, pilgrimage, shrines, saints’ cults, relics of saints, icons, war banners, pagan war rituals, burial practices, diet and fashion, rural area and the concept of town life, intragroup and intergroup relations, linguistic interactions, emotional discourse, narratives gesta episcoporum, saga studies, colonization, settlement, mythology, ethnography, mental geographies, political culture, political relations, dynastic marital alliances, media and communication, trade, exploration, mappae mundi, portolan charts, art history, architecture, numismatics, and all archaeological sub-disciplines. Each volume may contain up to 20 black-and-white images. Editorial Board: Carsten Selch Jensen (University of Copenhagen) Anti Selart (University of Tartu) Jakub Morawiec (University of Silesia) Carole Cusack (University of Sydney) Stanislaw Rosik (University of Wroclaw) Felix Biermann (University of Greifswald) Rob Meens (Utrecht University) David Kalhous (Masaryk University, Brno) Stanislava Kuzmová (Comenius University Bratislava) Peter Ivanič (Constantine the Philosopher University in Nitra) Myroslav Voloshchuk (Precarpathian National University, Ivano-Frankivsk) Attila Bárány (University of Debrecen) Proposals and author/volume editor CV should be sent to mihaidragnea2018@gmail.com

1 publications

Diversitas

ISSN: 2031-0331

The aim of this series is to study diversity by privileging an interdisciplinary approach, through political, legal, cultural and social frameworks. The proposed method of inquiry will be to appeal, at once, to the fields of political philosophy, law, political science, history and sociology. In a period characterized by the increasing diversity of contemporary societies, the authors published in this series will explore avenues for the accommodation and management of pluralism and identity. Such studies will not be limited to assessments of federal states, but will include states that are on the path to federalization as well as non-federal states. Serious efforts will be undertaken to enrich our comprehension of so-called ‘nations without states’, most notably Catalonia, Scotland, Flanders and Quebec. A point of emphasis will also be placed on extracting lessons from experiences with civil law relative to those cases marked by the common law tradition. Monist and competing models will be compared in order to assess the relative capacity of each model to provide responses to the question of political instability, while pursuing the quest for justice in minority societies. The series also addresses the place of cities in the management of diversity, as well as the question of migration more generally and the issue of communities characterized by overlapping and hybrid identities. A profound sensitivity to historical narratives is also expected to enrich the proposed scientific approach. Finally, the works published in this series will reveal a common aspiration to advance social and political debates without privileging any particular school of thought. Cette collection cherche à étudier la diversité sous les angles politique, juridique, culturel et social en privilégiant le prisme de l’interdisciplinarité. La démarche scientifique proposée fait appel à la fois à la philosophie politique, au droit, à la science politique, à l’histoire, de même qu’à la sociologie. Au moment où les sociétés sont de plus en plus traversées par la diversité, les auteurs publiés dans cette collection exploreront des avenues en vue de gérer le pluralisme communautaire et identitaire. Sont mis à l’étude tout aussi bien les pays fédéraux et les pays en voie de fédéralisation que les pays non fédéraux. Des efforts importants seront consentis afin d’enrichir notre compréhension des nations dites «　sans État　» – pensons à la Catalogne, à l’Écosse, à la Flandre, au Pays basque et au Québec. Une volonté affirmée de mettre en parallèle les enseignements tirés des expériences civilistes et de celles propres au droit coutumier sera au rendez-vous. Les modèles monistes et concurrents seront mis dos à dos afin de saisir la capacité propre à chacun de fournir des réponses à l’instabilité politique tout en poursuivant la quête de justice pour les sociétés minoritaires. La place des métropoles au chapitre de la gestion de la diversité retiendra notre attention de même que les questions de migration des populations et du métissage communautaire. Une sensibilité à la trame historique viendra enrichir la démarche scientifique proposée. Les ouvrages publiés dans cette collection auront en commun leur volonté de faire avancer les débats de société sans privilégier aucune école de pensée. Directeur de la collection : Alain-G. Gagnon, titulaire, Chaire de recherche du Canada en études québécoises et canadiennes et directeur d'axe au Centre de recherche interdisciplinaire sur la diversité et la démocratie (CRIDAQ). Comité scientifique : Alain Dieckhoff, Institut d’Études Politiques, Paris Hugues Dumont, Facultés Saint-Louis, Bruxelles Avigail Eisenberg, University of Victoria, Victoria Montserrat Guibernau, University of London, Londres Will Kymlicka, Queen’s University, Kingston, Canada Guy Laforest, Université Laval, Québec Ramon Máiz, University of Santiago de Compostela, Saint-Jacques de Compostelle Marco Martiniello, Université de Liège, Liège Ferran Requejo, Universidad Pompeu Fabra, Barcelone José Maria Sauca Cano, Universidad Carlos III de Madrid, Madrid Michel Seymour, Université de Montréal, Montréal James Tully, University of Victoria, Victoria Stephen Tierney, University of Edinburgh, Édimbourg Melissa Williams, University of Toronto, Toronto

39 publications

Transnational Cultures

ISSN: 2297-2854

Transnational Cultures promotes enquiry into the literary and cultural productions of transnational experiences characterized by the vertical and lateral exchanges of ideas, objects and linguistic practices across the globe. With the growth of diasporic communities, migratory crossings and virtual exchange, literary and cultural productions beyond, across and traversing borders have become a growing focus of scholarship within historical, contemporary and comparative contexts. Concepts of nationhood are increasingly understood as a limiting and limited way of understanding culture. While we question the binary relations of center versus periphery, global versus local, we also recognize the importance of scholarship examining relationships that escape these binaries, such as those focusing on South–South exchanges, minor transnational relations and Indigenous experiences. The series encourages new work that investigates how a transnational lens might transform existing understandings of cultural exchange and identity formation in any period or location. We are particularly interested in research that shines a light on transnational cultural experiences that are underrepresented and explores how writers and artists from underrepresented groups position themselves vis-à-vis national and global forces. What broader flows of knowledge, capital and power mark pre-modern, modern and contemporary cultural productions and identity formations? How do marginal experiences trouble existing narratives of the nation-state and global–local paradigms? What kinds of creolization of cultures and experiences evolve in the processes of transnationalism? How do transnational flows in the Global South, and among marginal or minority communities, facilitate sites of articulation outside normative discourses? The series strives to offer a renewed understanding of minor and minority expressions and articulations of transnational experiences that often escape national and global discourses. Proposals for monographs and edited collections from international scholars are welcome. The series is interdisciplinary in scope and welcomes research on literature, film, new media, visual culture and beyond. All proposals and manuscripts will be subjected to rigorous peer review. The main language of publication is English. Editorial Board: Rhian Atkin (Lisbon), Shakuntala Banaji (London School of Economics), Simone Brioni (Stony Brook), Helena Buescu (Lisbon), Deborah Cherry (London), Anne Garland Mahler (Virginia), Weihsin Gui (Riverside), Maria Koundoura (Emerson), Su Lin Lewis (Bristol), Churnjeet Mahn (Strathclyde), Jacqueline Maingard (Bristol), Stephen Morton (Southampton), Nasser Mufti (Chicago), Christopher Ouma (Cape Town), Dorothy Price (Courtauld Institute of Art), Oana Popescu-Sandu (Southern Indiana), James Procter (Newcastle), Sara Pugach (Los Angeles), Giulia Riccò (Michigan), Mark Sabine (Nottingham), Shuang Shen (Penn State), Lisa Shaw (Liverpool), Siobhán Shilton (Bristol), Catherine Speck (Adelaide), Emily Celeste Vázquez Enríquez (UC Davis), Toshio Watanabe (East Anglia), Adam Watt (Exeter)

5 publications

Disability, Media, Culture

ISSN: 2633-0849

Globally today, television, film and the internet comprise the principal sources of cultural consumption and engagement. Despite this, these areas have not featured strongly in the cultural study of disability. This book series will provide the first specific outlet for international scholars of disability to present their work on these topics. The series will build a body of work that brings together critical analysis of disability and impairments in media and culture. The series expands the work currently undertaken in literary studies on disability by using media and cultural theory to understand the place of disability and impairment in a range of media and cultural forms. The series encourages the development of work on disabled people in the media, within the media industries and in the wider cultural sphere. Whilst film and television analysis will be central to this series, we also encourage work on disability in other media, including journalism, radio, the internet and gaming. We welcome proposals from media studies: narrative constructions of disability; technical aspects of media production; disability, the economy and society; the impact of social media and gaming on disabled identities; and the role of architecture and image. Cultural studies are also encouraged: the uses of disabled and chronically ill bodies, ‘cripping culture’, corporeal projections in culture, intersectional identities, advertising, and the uses of cultural theory in furthering understandings of ableism and disablism. All proposals and manuscripts will be rigorously peer reviewed. The language of publication is English, although we welcome submissions from around the world and on topics that may take as their focus non-English media. We welcome new proposals for monographs and edited collections. Editorial Board: Eleoma Bodammer (Edinburgh), Catalin Brylla (Bournemouth), Colin Cameron (Northumbria), Sally Chivers (Trent, Canada), Eduard Cuelenaere (Ghent), Beth Haller (Towson, USA), Catherine Long, Nicole Marcotić (Windsor), Maria Tsakiri (Cyprus), Dolly Sen, Sonali Shah (Birmingham), Alison Sheldon (Leeds), Murray Simpson (Dundee), Angela M. Smith (Utah), Heike Steinhoff (Ruhr-University Bochum), Laura Waite (Liverpool Hope).

3 publications

Europe des cultures / Europe of cultures

ISSN: 2031-3519

"Europe of Cultures" is a series of studies, monographs, stories, research projects, reports on conferences and debates devoted to the complexities and changing realities in European societies. It bridges the past with the future at the cross road of challenges and opportunities of the transformation of European societies. The management of changes in societies refers to the interconnection of various dimensions and levels of policy-making impacting on economic, social, political, democratic, communication, philosophical, artistic, religious as well as ethical traditions and behaviour. As an editorial project the series is structured along two interconnected and complementary sub-series: i.e. the "(Europe of) Dialogues" series and the "(Europe of) Living Stories". The sub-series "(Europe of) Dialogues" mainly deals with (cultural) diversities, identity and citizenship building in Europe as well as with the relevant multi-level governance and communication structures in the transformation of European societies. Europe is a laboratory for understanding this multi- and intercultural reality. The purpose is to contribute to a better understanding and communication of the changes taking place by looking at the European societies in general, and the specificities of different national, regional and local cultures and communities in a framework of dialogues. The series presents interdisciplinary and critical views of value-driven and policy-oriented reflections. Moreover, it offers new insights into understanding how to manage, value and communicate cultural diversity, identity and citizenship. It also wants to contribute to the development of new ways of "living together", in which cultures and communities are perceived as binding forces in creative society building. The sub-series "(Europe of) Living Stories" (the former "Mémoires de l’Europe en devenir", Director Gabriel Fragnière) is devoted to inspiring narratives for a broad public with a view to contribute to a better understanding, communication and contextualisation of the newly emerging Europe. It mainly focusses on stories, memories and testimonies of persons, events, institutions and issues that have transformed mentalities, fostered European awareness and finally shaped Europe’s future. These stories serve as important references and communication tools for future developments of Europe in the world. This collection wants to be open and diverse, original and dynamic in its content, method and pedagogy faithful to Europe’s role and reference in the globalising world. "Europe des cultures" est une collection d'études, de monographies, d’essais, de récits, de recherches et de compte-rendu de conférences et de débats consacrés à la complexité et l'évolution des réalités dans les sociétés européennes. Elle relie passé et futur au carrefour des défis et opportunités de la transformation des sociétés européennes. L’étude des changements dans les sociétés se réfère à l'interconnexion des différentes dimensions et niveaux de l'élaboration des politiques, incluant les traditions et comportements économiques, sociaux, politiques, démocratiques, communication, philosophiques, artistiques, religieuses ainsi qu’éthiques. Comme projet éditorial, la collection est structurée en deux sous-séries complémentaires: la série "(l'Europe des) Dialogues" et la série «　(l'Europe des) Histoires Vivantes». La série "(L’Europe des) Dialogues" se concentre principalement sur les diversités (culturelles), l'identité et la citoyenneté en Europe ainsi que sur les structures de gouvernance et de communication multi-niveaux pertinentes dans la transformation des sociétés européennes. L'Europe est un laboratoire pour comprendre cette réalité multiculturelle et interculturelle. Le but est de contribuer à une meilleure compréhension et communication des changements qui ont lieu en observant les sociétés européennes en général, et les spécificités des différentes cultures et communautés nationales, régionales et locales dans un cadre de dialogues. La collection présente des vues interdisciplinaires et critiques axées sur des réflexions des valeurs et politiques. En outre, elle offre de nouvelles perspectives dans la compréhension de la façon de gérer, valoriser et communiquer la diversité culturelle, l'identité et la citoyenneté. Elle veut aussi contribuer au développement de nouvelles façons de «　vivre ensemble　», dans lequel les cultures et les communautés sont perçues comme des forces de liaison à l’égard de la société créative. La série "(l’Europe des) Histoires Vivantes" (anciennement «　Mémoires de l'Europe en devenir　», Directeur Gabriel Fragnière) est consacrée à des récits destinés à un large public en vue de contribuer à une meilleure compréhension, communication et contextualisation de la nouvelle Europe émergente. Elle se concentre principalement sur des histoires, des souvenirs et des témoignages de personnes, d'événements, des institutions et des questions qui ont transformé les mentalités, la conscience européenne et enfin façonné l'avenir de l'Europe. Ces histoires servent de références et d’outils de communication pour des développements futurs de l'Europe dans le monde. Cette collection se veut ouverte et diversifiée, originale et dynamique dans son contenu, méthode et pédagogie fidèle au rôle et référence de l'Europe dans un monde globalisé.

31 publications

Pilgrimage Studies

From the Islamic Hajj to journeys to an ancestral homeland, pilgrimages are growing global phenomena with far-reaching national, political, societal, economical, religious, and cultural impact. Globalization, which has led to increased possibilities of travel and interconnectivity, underpins the growth of pilgrimages, as does the contemporary notion that pilgrimages are framed as journeys of meaning constructed by pilgrims. Despite universal exemplars of pilgrimage, there is a dearth of multidisciplinary, and multilingual, literature on the topic. This series aims to fuse multiple streams of pilgrimage discourse and provide a forum for formerly disparate conversations on the pilgrimage phenomenon. Proposals are welcome for monographs and edited collections that explore the intersection of pilgrimage with topics such as identity, heritage, ethnicity and genealogy, political power, nationalism, gender and sexuality, architecture, law, technology, climate and geography, and health and wellbeing. Additionally, manuscripts that represent new perspectives on existing pilgrimage sites and historical narratives are welcome and contributions from non-Anglo authors will be considered. All inquiries should be directed to Heather A. Warfield, Series Editor: heather@heatherawarfield.com.

6 publications