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Transnational Cultures

ISSN: 2297-2854


Transnational Cultures promotes enquiry into the literary and cultural productions of transnational experiences characterized by the vertical and lateral exchanges of ideas, objects and linguistic practices across the globe.
With the growth of diasporic communities, migratory crossings and virtual exchange, literary and cultural productions beyond, across and traversing borders have become a growing focus of scholarship within historical, contemporary and comparative contexts.
Concepts of nationhood are increasingly understood as a limiting and limited way of understanding culture. While we question the binary relations of center versus periphery, global versus local, we also recognize the importance of scholarship examining relationships that escape these binaries, such as those focusing on South–South exchanges, minor transnational relations and indigenous experiences.
The series encourages new work that investigates how a transnational lens might transform existing understandings of cultural exchange and identity formation in any period or location. We are particularly interested in research that shines a light on transnational cultural experiences that are underrepresented and explores how writers and artists from underrepresented groups position themselves vis-à-vis national and global forces.
What broader flows of knowledge, capital and power mark pre-modern, modern and contemporary cultural productions and identity formations? How do marginal experiences trouble existing narratives of the nation-state and global–local paradigms? What kinds of creolization of cultures and experiences evolve in the processes of transnationalism? How do transnational flows in the Global South, and among marginal or minority communities, facilitate sites of articulation outside normative discourses?
The series strives to offer a renewed understanding of minor and minority expressions and articulations of transnational experiences that often escape national and global discourses.
Proposals for monographs and edited collections from international scholars are welcome. The series is interdisciplinary in scope and welcomes research on literature, film, new media, visual culture and beyond. All proposals and manuscripts will be subjected to rigorous peer review. The main language of publication is English.
Editorial Advisory Board: Shakuntala Banaji (London School of Economics), Helena Buescu (Lisboa), Deborah Cherry (TrAIN, London), Harry Garuba (Cape Town), Richard Hibbitt (Leeds), Maria Koundoura (Emerson), Vijay Kumar Tadakamalla (Osmania, India), Bénédicte Ledent (Liège), Su Lin Lewis (Bristol), Oiyan Liu (Hong Kong), Churnjeet Mahn (Surrey), Jacqueline Maingard (Bristol), Ulrika Maude (Bristol), Stephen Morton (Southampton), Christopher Ouma (Cape Town), James Procter (Newcastle), Mark Sabine (Nottingham), Lisa Shaw (Liverpool), Siobhán Shilton (Bristol), Catherine Speck (Adelaide), Toshio Watanabe (TrAIN, London), Adam Watt (Exeter)

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