-
Thinking Strategically About Anti-Corruption Reforms
Addressing Factors that Increase the Likelihood and Maintenance of Corrupt Exchanges©2004 Thesis -
Integration – Legitimation – Korruption- Integration – Legitimation – Corruption
Politische Patronage in Früher Neuzeit und Moderne- Political Patronage in Early Modern and Modern History©2011 Edited Collection -
Corruption as Power
Criminal Governance in Peru during the Fujimori Era (1990-2000)©2013 Monographs -
The Economics of Corruption and Bureaucratic Inefficiency in Weak States
Theory and Evidence©2003 Thesis -
Combating Corruption Through Electronic Governance in Least Developed and Post-war Countries
Afghanistan’s Experience©2020 Monographs -
Combating Corruption and Other Organizational Pathologies
©2017 Monographs -
Bangladesh Divided
Political and Literary Reflections on a Corrupt Police and Prison State©2019 Monographs -
Garrison State Hegemony in U.S. Politics
A Critical Ethnohistory of Corruption and Power in the World’s Oldest ‘Democracy’©2021 Monographs -
Européanisation et démocratisation des États baltes dans la période de préadhésion à l’UE
Le rôle de la conditionnalité politique des organisations européennes©2015 Monographs -
Non-State Actors in Asset Recovery
©2011 Conference proceedings -
Loyola’s Greater Narrative
The Architecture of the "Spiritual Exercises</I> in Golden Age and Enlightenment Literature©2009 Monographs -
Narratives of Money & Crime
Neoliberalism in Film, Literature and Popular Culture©2022 Edited Collection -
Critical and Creative Education for the New Africa
©2013 Monographs -
The Modernist Revolution in World Literature
ISSN: 1528-9672
In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to make it new is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to make it new is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to make it new is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series
3 publications
-
Yearbook 2023 for Global Ethics, Compliance & Integrity
©2023 Edited Collection -
Struggle of Faith and Reason: A History of Intolerance and Punitive Censorship
Part II: From Mediaeval Cathars to Giordano Bruno and Lucilio Vanini©2021 Monographs