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  • Criminal Humanities & Forensic Semiotics

    This series publishes monographs, anthologies, annotated literary editions, and comparative studies that critically engage the humanities as a locus for the study of criminal offending, criminal investigation, deviance, penology, and deterrence, as well as the epistemology of justice. We are especially interested in submissions with a strong interdisciplinary orientation and which lie at the crossroads of theory and practice. In other words, this series is foremost concerned with using artistic, literary, and multimedia texts, situations, and other products of the strictly non-investigative world as vehicles for exploring long-standing social and procedural issues of interest to both academia and the general public. By engaging a wide readership encompassing both scholars and practitioners, it is the intent of this series to breathe new life into the humanities and cultural studies, not to further alienate or obfuscate the scholarship done in these disciplines. For this reason, collaborations between authors representing academic institutions and those working in both private and public knowledge sectors, including government and specialized areas of law enforcement, are encouraged to collaborate with respect to this project. The series will publish studies and anthologies that explore the connection between fictional writing, movies, music, traditional electronic media, the Internet, and other domains of popular culture and how they have influenced the perception of crime and criminality. The synergy that exists between real crime (reality) and imagined criminality as manifesting itself through representations in writing and media is the primary focus of the series. We also welcome submissions that draw on any number of semiotic, linguistic, and comparative literature traditions, particularly those espousing new approaches to these fields and which allow key concepts to be unpacked within the framework of the criminal justice system, the forensic sciences, or other professions or institutions that serve the public interest.

    5 publications

  • Queering Paradigms

    ISSN: 2235-5367

    Queering Paradigms is a series of peer-reviewed edited volumes and monographs presenting challenging and innovative developments in Queer Theory and Queer Studies from across a variety of academic disciplines and political spheres. Queer in this context is understood as a critical disposition towards the predominantly binarist and essentialising social, intellectual, political, and cultural paradigms through which we understand gender, sexuality, and identity. Queering denotes challenging and transforming not just heteronormativity, but homonormativity as well, and pushing past the binary axes of homo- and hetero-sexuality. In line with the broad inter- and trans-disciplinary ethos of queer projects generally, the series welcomes contributions from both established and aspiring researchers in diverse fields of studies including political and social science, philosophy, history, religious studies, literary criticism, media studies, education, psychology, health studies, criminology, and legal studies. The series is committed to advancing perspectives from outside of the ‘Global North’. Further, it will publish research that explicitly links queer insights to specific and local political struggles, which might serve to encourage the uptake of queer insights in similar contexts. By cutting across disciplinary, geographic, and cultural boundaries in this way, the series provides a unique contribution to queer theory. The Series Editor: Professor B. Scherer is Chair of Comparative Religion, Gender and Sexuality at Canterbury Christ Church University, UK, and an executive editor of the journal Religion and Gender. Read more about Queering Paradigms at the Canterbury Christ Church University's Queering Paradigms website.

    11 publications

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