Sprache und Digitalkultur / Language and Digital Culture

ISSN: 2626-3394

With the advent of digitization, communication with and between machines increasingly plays a role in interpersonal interactions. What will the future look like: will algorithms become more important than argumentation? Will societal discussions and decisions be replaced by big data analyses? What role will social media play, and how will communication work there? Will we still be telling stories in the future, while algorithms will be writing history? In short, how will information technology, social robots and artificial intelligence alter our existing understandings of communication in the emerging digital age? This book series aims to provide an interdisciplinary forum for both empirical and theoretical discussions of the relationship between language and digital culture. Book proposals are welcome and may be sent to either the editorial board or the publisher. The languages of publication are German and English. Mit der Digitalisierung tritt neben die zwischenmenschliche Interaktion zunehmend die Kommunikation mit und zwischen Maschinen. Doch wie wird die Zukunft aussehen: Werden Algorithmen wichtiger sein als Argumente? Werden soziale Diskussionen und Entscheidungen durch Big Data-Analysen ersetzt? Welche Rolle werden die Social Media spielen, und wie wird dort kommuniziert werden? Werden wir uns zukünftig zwar noch Geschichten erzählen, Algorithmen aber faktisch Geschichte schreiben? Kurzum: Wie werden Kommunikationstechnologien, soziale Roboter und Künstliche Intelligenz unser bisheriges Verständnis von Kommunikation in einer beginnenden Digitalkultur verändern? Die wissenschaftliche Buchreihe möchte diesem Spannungsverhältnis von Sprache und Digitalkultur ein interdisziplinäres Forum der empirischen wie theoretischen Auseinandersetzung bieten. Manuskriptvorschläge an Herausgebergremium oder Verlag sind willkommen. Publikationssprachen sind Deutsch und Englisch.

4 publications

Digital Formations

Digital Formations is the best source for critical, well-written books about digital technologies and modern life. Books in the series break new ground by emphasizing multiple methodological and theoretical approaches to deeply probe the formation and reformation of lived experience as it is refracted through digital interaction. Each volume in Digital Formations pushes forward our understanding of the intersections, and corresponding implications, between digital technologies and everyday life. The series examines broad issues in realms such as digital culture, electronic commerce, law, politics and governance, gender, the Internet, race, art, health and medicine, and education. The series emphasizes critical studies in the context of emergent and existing digital technologies.

175 publications

Documentary Film Cultures

ISSN: 2504-4834

This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

6 publications