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  • Title: Documentary in Finland

    Documentary in Finland

    History, Practice and Policy
    by Jouko Aaltonen (Author) Pietari Kääpä (Author) Dafydd Sills-Jones (Author) 2023
    ©2023 Monographs
  • Title: Documentary in the Age of COVID

    Documentary in the Age of COVID

    by Dafydd Sills-Jones (Volume editor) Pietari Kääpä (Volume editor) 2023
    ©2023 Edited Collection
  • Title: Documentary in Wales

    Documentary in Wales

    Cultures and Practices
    by Dafydd Sills-Jones (Volume editor) Elin Haf Gruffydd Jones (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Third Digital Documentary

    Third Digital Documentary

    A Theory and Practice of Transmedia Arts Activism, Critical Design and Ethics
    by Anita Wen-Shin Chang (Author) 2020
    ©2020 Monographs
  • Title: The Manifestations of Political Power Structures in Documentary Film
  • Title: Documentary Graphic Novels and Social Realism

    Documentary Graphic Novels and Social Realism

    by Jeff Adams (Author)
    ©2009 Monographs
  • Documentary Film Cultures

    ISSN: 2504-4834

    This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

    6 publications

  • Title: Celluloid Subjects to Digital Directors

    Celluloid Subjects to Digital Directors

    Changing Aboriginalities and Australian Documentary Film, 1901–2017
    by Jennifer Debenham (Author) 2020
    ©2020 Monographs
  • Title: Screening Reality

    Screening Reality

    French Documentary Film during the German Occupation
    by Steve Wharton (Author)
    ©2006 Monographs
  • Title: Reel Education

    Reel Education

    Documentaries, Biopics, and Reality Television
    by Jacqueline Bach (Author) 2016
    ©2016 Textbook
  • Title: «Nanook of the North» From 1922 to Today

    «Nanook of the North» From 1922 to Today

    The Famous Arctic Documentary and Its Afterlife
    by Roswitha Skare (Author) 2016
    ©2016 Monographs
  • Title: Their Childhood and the Holocaust

    Their Childhood and the Holocaust

    A Child’s Perspective in Polish Documentary and Autobiographical Literature
    by Justyna Kowalska-Leder (Author) 2015
    ©2015 Monographs
  • Title: Visual Anthropology in Sardinia

    Visual Anthropology in Sardinia

    by Silvio Carta (Author) 2014
    ©2015 Monographs
  • Title: Crossing Borders

    Crossing Borders

    The Interrelation of Fact and Fiction in Historical Works, Travel Tales, Autobiography and Reportage
    by Maureen A. Ramsden (Author) 2015
    ©2016 Monographs
  • Title: What Makes a Film Tick?

    What Makes a Film Tick?

    Cinematic Affect, Materiality and Mimetic Innervation
    by Anne Rutherford (Author) 2011
    ©2011 Thesis
  • Title: American Political Opera in the Twentieth Century

    American Political Opera in the Twentieth Century

    by Joanna Miklaszewska (Author) 2019
    ©2018 Monographs
  • Title: Visions of Ireland

    Visions of Ireland

    Gael Linn’s «Amharc Éireann» Film Series, 1956–1964
    by B. Mairéad Pratschke (Author) 2015
    ©2015 Monographs
  • Title: Immaterial Culture

    Immaterial Culture

    Literature, Drama and the American Radio Play, 1929–1954
    by Harry Heuser (Author) 2013
    ©2013 Monographs
  • Title: Flagrantes auditions

    Flagrantes auditions

    Echanges langagiers lors d’interactions judiciaires
    by Esther González Martínez (Author)
    ©2007 Thesis
  • Title: Entering the Frame

    Entering the Frame

    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    by Robert Lumley (Author) 2023
    ©2023 Monographs
  • Title: The Reconstruction of Sense in the Foreign Language Classroom

    The Reconstruction of Sense in the Foreign Language Classroom

    An Introduction to Reconstructive Foreign Language Research
    by Bernd Tesch (Author) 2018
    ©2018 Monographs
  • Title: Stage Histories

    Stage Histories

    Post-War British Historical Drama
    by Paweł Schreiber (Author) 2015
    ©2016 Monographs
  • Title: Screening and Depicting Cultural Diversity in the English-speaking World and Beyond

    Screening and Depicting Cultural Diversity in the English-speaking World and Beyond

    by Renée Dickason (Volume editor) Rüdiger Ahrens (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Popularizing Research

    Popularizing Research

    Engaging New Genres, Media, and Audiences
    by Phillip Vannini (Volume editor)
    ©2012 Textbook
  • Title: Entering the Frame

    Entering the Frame

    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    by Robert Lumley (Author)
    ©2011 Monographs
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