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  • Title: Legacies of Indigenous Resistance

    Legacies of Indigenous Resistance

    Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature
    by Matteo Dutto (Author) 2019
    ©2019 Monographs
  • Title: Indigenous Cultural Capital

    Indigenous Cultural Capital

    Postcolonial Narratives in Australian Children’s Literature
    by Daozhi Xu (Author) 2018
    Monographs
  • Title: Disturbances and Dislocations

    Disturbances and Dislocations

    Understanding Teaching and Learning Experiences in Indigenous Australian Women’s Music and Dance
    by Elizabeth Mackinlav (Author)
    ©2007 Thesis
  • Title: The Mabo Turn in Australian Fiction

    The Mabo Turn in Australian Fiction

    by Geoff Rodoreda (Author) 2018
    Monographs
  • Title: Polities and Poetics

    Polities and Poetics

    Race Relations and Reconciliation in Australian Literature
    by Adelle Sefton-Rowston (Author) 2021
    ©2021 Monographs
  • Title: Australian Indigenous Studies

    Australian Indigenous Studies

    Research and Practice
    by Terry Moore (Author) Carol Pybus (Author) Mitchell Rolls (Author) David Moltow (Author) 2017
    ©2017 Textbook
  • Australian Studies: Interdisciplinary Perspectives

    This interdisciplinary book series showcases dynamic, innovative research on contemporary and historical Australian culture. It aims to foster interventions in established debates on Australia as well as opening up new areas of enquiry that reflect the diversity of interests in the scholarly community. The series includes research in a range of fields across the humanities and social sciences, such as history, literature, media, philosophy, cultural studies, gender studies and politics. Proposals are encouraged in areas such as Indigenous studies, critical race and whiteness studies, women'Â’s studies, studies in colonialism and coloniality, multiculturalism, the experimental humanities and ecocriticism. Of particular interest is research that promotes the study of Australia in cross-cultural, transnational and comparative contexts. Cross-disciplinarity and new methodologies are welcomed. The series will feature the work of leading authors but also invites proposals from emerging scholars. Proposals for monographs, biographies and high-quality edited volumes are welcomed. Proposals and manuscripts considered for the series will be subject to rigorous peer review and editorial attention. The series is affiliated with the International Australian Studies Association (www.inasa.org). Please see their website for information about applying to the ECR Publication Subsidy Scheme. Editorial Board: Dr Victoria Herche (University of Cologne), Dr Sukhmani Khorana (Western Sydney University), Associate Professor Shino Konishi (Australian Catholic University), Associate Professor Jeanine Leane (University of Melbourne), Associate Professor Alana Lentin (Western Sydney University), Professor Martin Nakata (James Cook University), Dr BJ Newton (University of New South Wales, Australia), Associate Professor Marguerite Nolan (Australian Catholic University), Dr Andonis Piperoglou (Griffith University), Associate Professor Emily Potter (Deakin University), Professor Noah Riseman (Australian Catholic University), Dr Jessa Rogers (Queensland University of Technology), Dr Liza-Mare Syron (University of New South Wales), Dr Anthea Taylor (University of Sydney), Dr Daniella Trimboli (Deakin University), Dr Daozhi Xu (Macquarie University).

    8 publications

  • Title: Celluloid Subjects to Digital Directors

    Celluloid Subjects to Digital Directors

    Changing Aboriginalities and Australian Documentary Film, 1901–2017
    by Jennifer Debenham (Author) 2020
    ©2020 Monographs
  • Title: Unsettling the Gap

    Unsettling the Gap

    Race, Politics and Indigenous Education
    by Sophie Rudolph (Author) 2018
    ©2019 Textbook
  • Title: The False Past

    The False Past

    A Nietzschean Account of Australian Settler Colonialism
    by R.B.E. Price (Author) 2022
    ©2022 Monographs
  • Title: Postcolonial Departures

    Postcolonial Departures

    Narrative Transformations in Australian and South African Fictions
    by Hano Pipic (Author) 2017
    ©2017 Thesis
  • Title: Musical Instruments and Sound-Producing Objects of Oceania

    Musical Instruments and Sound-Producing Objects of Oceania

    The collections of the Australian Museum
    by Michael Atherton (Author) 2011
    ©2011 Others
  • Title: The Locals

    The Locals

    Identity, Place and Belonging in Australia and Beyond
    by Rob Garbutt (Author) 2011
    ©2011 Monographs
  • Title: Trauma, Australia and Gail Jones’s Fiction (1996-2007)

    Trauma, Australia and Gail Jones’s Fiction (1996-2007)

    by Pilar Royo-Grasa (Author) 2022
    ©2022 Monographs
  • Title: Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson
  • Title: What Makes a Film Tick?

    What Makes a Film Tick?

    Cinematic Affect, Materiality and Mimetic Innervation
    by Anne Rutherford (Author) 2011
    ©2011 Thesis
  • Title: Unstable Ground

    Unstable Ground

    Performance and the Politics of Place
    by Gay McAuley (Volume editor)
    ©2008 Edited Collection
  • Documentary Film Cultures

    ISSN: 2504-4834

    This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

    6 publications

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