This reading of George Herbert’s poetry takes advantage of contemporary philosophical reflection on the givenness of being and of language. The book presents George Herbert’s poetic sequence, The Temple, as the poet’s response to a call which originates in the Word made flesh and at the same time resounds within the depths of an individual self. The focus of this analysis falls on the essential «Englishness» of Herbert’s poetry and its material weight: its visual concreteness, its musical harmonies, and its attention to human flesh made (English) word.
A Gift for Our Times
Poetry and the Kenotic Word
Edited by Malgorzata Grzegorzewska, Jean Ward and Mark Burrows
This book of essays on poetic speech, viewed in a literary-critical, theological and philosophical light, explores the connections and disconnections between vulnerable human words, so often burdened with doubt and pain, and the ultimate kenosis of the divine Word on the Cross. An introductory discussion of language and prayer is followed by reflections linking poetry with religious experience and theology, especially apophatic, and questioning the ability of language to reach out beyond itself. The central section foregrounds the motif of the suffering flesh, while the final section, including essays on seventeenth-century English metaphysical poetry and several of the great poets of the twentieth century, is devoted to the sounds and rhythms which give a poem its own kind of «body».