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  • Title: Bicultural Bodies

    Bicultural Bodies

    A Study of South Asian American Women’s Literature
    by Izabella Kimak (Author) 2013
    ©2014 Monographs
  • Title: The Story of the Mexican Screenplay

    The Story of the Mexican Screenplay

    A Study of the Invisible Art Form and Interviews with Women Screenwriters
    by Maria Teresa DePaoli (Author) 2011
    ©2014 Textbook
  • Title: Women in the Informal Sector and Poverty Reduction in Morocco

    Women in the Informal Sector and Poverty Reduction in Morocco

    The City of Fez as a Case Study
    by Souad Belhorma (Author) 2019
    ©2019 Monographs
  • Title: Rewriting Academia

    Rewriting Academia

    The Development of the Anglicist Women’s and Gender Studies of Continental Europe
    by Renate Haas (Volume editor) 2015
    ©2015 Edited Collection
  • Title: A linguistic picture of women's position in society

    A linguistic picture of women's position in society

    A Polish-English contrastive study
    by Wolfgang Viereck (Author)
    ©1986 Others
  • Title: Divorce: Its Psychological Effects on the Divorced Women and their Children

    Divorce: Its Psychological Effects on the Divorced Women and their Children

    A study on the Igbos of Southern Nigeria
    by Jude Obinna Ezeokana (Author)
    ©1999 Thesis
  • Title: Two Major Francophone Women Writers, Assia Djébar and Leïla Sebbar

    Two Major Francophone Women Writers, Assia Djébar and Leïla Sebbar

    A Thematic Study of Their Works
    by Rafika Merini (Author)
    ©2000 Monographs
  • Title: Film Studies

    Film Studies

    Women in Contemporary World Cinema
    by Alexandra Heidi Karriker (Volume editor)
    ©2002 Textbook
  • Title: Njepu Amaka – Migration is Rewarding

    Njepu Amaka – Migration is Rewarding

    A Sociocultural Anthropological Study of Global Economic Migration- White man’s magic, women trafficking, business and ethnicity among the Igbo of Eastern Nigeria
    by Eloka Nwolisa Okanga (Author)
    ©2003 Thesis
  • Title: The Genealogy of Women

    The Genealogy of Women

    Studies in Boccaccio's "De mulieribus claris"
    by Stephen D. Kolsky (Author)
    ©2003 Monographs
  • Title: Chinese Women in Christian Ministry

    Chinese Women in Christian Ministry

    An Intercultural Study
    by Mary K.M. Chung (Author)
    ©2005 Monographs
  • Title: D. H. Lawrence’s «The Rainbow» and «Women in Love»

    D. H. Lawrence’s «The Rainbow» and «Women in Love»

    A Critical Study
    by Doo-Sun Ryu (Author)
    ©2005 Monographs
  • Title: Non-European Women in Chaucer

    Non-European Women in Chaucer

    A Postcolonial Study
    by Keiko Hamaguchi (Author)
    ©2006 Thesis
  • Title: Native American Women’s Studies

    Native American Women’s Studies

    A Primer
    by Stephanie A. Sellers (Author)
    ©2006 Textbook
  • Title: Women’s Emancipation in Africa – Reality or Illusion?

    Women’s Emancipation in Africa – Reality or Illusion?

    A Case Study of Mbarara, Western Uganda
    by Paul Mutume (Author) 2017
    ©2017 Thesis
  • Title: Women Studies

    Women Studies

    by Aysegül Akaydın (Volume editor) Nur Emine Koc (Volume editor) 2022
    ©2022 Monographs
  • Title: A Poetics of Borderlands

    A Poetics of Borderlands

    A Comparative Study of Selected Texts by Contemporary US Latina/Chicana and Polish Women Writers
    by Aleksandra Hołubowicz (Author) 2023
    ©2023 Monographs
  • Studies in Contemporary Women’s Writing

    ISSN: 2235-4123

    A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)

    15 publications

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