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  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Hermeneutics of Art

    7 publications

  • Title: Kandinsky’s Quest

    Kandinsky’s Quest

    A Study in the Artist’s Personal Symbolism, 1866-1907
    by Igor Aronov (Author)
    ©2007 Monographs
  • Title: Samuel Beckett’s Abstract Drama

    Samuel Beckett’s Abstract Drama

    Works for Stage and Screen- 1962-1985
    by Erik Tonning (Author)
    ©2007 Monographs
  • Title: The Absolute and the Cold War

    The Absolute and the Cold War

    Discourses of Abstract Expressionism
    by Justyna Wierzchowska (Author)
    ©2011 Thesis
  • Title: Abstracts in Academic Discourse

    Abstracts in Academic Discourse

    Variation and Change
    by Marina Bondi (Volume editor) Rosa Lorés Sanz (Volume editor) 2014
    ©2013 Edited Collection
  • Title: Die Abstracta "um" und "razum" bei Belinskij

    Die Abstracta "um" und "razum" bei Belinskij

    Semasiologische Untersuchungen
    by Rolf Lettmann (Author) 1971
    ©1971 Monographs
  • Title: Nomina abstracta im Russischen des 16. Jahrhunderts

    Nomina abstracta im Russischen des 16. Jahrhunderts

    Ein Beitrag zur Geschichte der Abstraktasuffixe im Slavischen
    by Inge Auerbach (Author) 2012
    ©1973 Monographs
  • Title: The Rhetoric of the Abstract in English and Spanish Scientific Discourse

    The Rhetoric of the Abstract in English and Spanish Scientific Discourse

    A Cross-Cultural Genre-Analytic Approach
    by Pedro Martin-Martin (Author)
    ©2005 Thesis
  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Title: Art State, Art Activism and Expanded Concept of Art
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
  • Title: Writing Art

    Writing Art

    French Literary Responses to the Work of Alberto Giacometti
    by Emma Wagstaff (Author)
    ©2011 Monographs
  • Title: Musikalischer Rhythmus und Oszillation

    Musikalischer Rhythmus und Oszillation

    Eine theoretische und empirische Erkundung - Including a comprehensive abstract in English
    by Jörg Langner (Author)
    ©2002 Thesis
  • Title: The Art of Seeing, the Art of Listening

    The Art of Seeing, the Art of Listening

    The Politics of Representation in the Work of Jean-Marie Straub and Danièle Huillet
    by Ursula Böser (Author)
    ©2004 Thesis
  • Title: Art in the Making

    Art in the Making

    Aesthetics, Historicity and Practice
    by Kerstin Mey (Volume editor)
    ©2005 Conference proceedings
  • Title: 11. Deutscher Slavistentag 2012. Region, Sprache, Nation. Tagungsprogramm, Abstracts, Praktische Hinweise

    11. Deutscher Slavistentag 2012. Region, Sprache, Nation. Tagungsprogramm, Abstracts, Praktische Hinweise

    Dresden und Bautzen, 3. Oktober bis 6. Oktober 2012
    by Slavisches Seminar der Universität Tübingen (Editor) 2012
    ©2012 Conference proceedings
  • Title: Women Making Art

    Women Making Art

    Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition
    by Deborah J. Johnson (Volume editor) Wendy Oliver (Volume editor) 2021
    ©2020 Textbook
  • Title: Systems of Art

    Systems of Art

    Art, History and Systems Theory
    by Francis Halsall (Author)
    ©2008 Monographs
  • Title: The Business of Art Unveiled

    The Business of Art Unveiled

    New York Art Dealers Speak up
    by Ulrike Bielstein Klein (Author)
    ©1994 Monographs
  • Title: The Art of Dying

    The Art of Dying

    Suicide in the Works of Kate Chopin and Sylvia Plath
    by Deborah S. Gentry (Author)
    ©2007 Monographs
  • Title: The Art of Listening

    The Art of Listening

    Conversations with Cellists
    by Anthony Arnone (Author) 2020
    ©2020 Textbook
  • Title: A History of Installation Art and the Development of New Art Forms

    A History of Installation Art and the Development of New Art Forms

    Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation
    by Faye Ran (Author) 2012
    ©2009 Monographs
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