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  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Hermeneutics of Art

    7 publications

  • Transatlantic Aesthetics and Culture

    ISSN: 1661-805X

    This series hosts works coming from both sides of the Atlantic that offer multicultural and interdisciplinary perspectives on modern literary, aesthetic, and cultural issues. It embraces studies of literature, theatre, cinema, visual arts, or dance. Defamiliarizing subjects by adopting an outsider’s view or bringing to bear different aesthetic or theoretical discourses on particular cultural spheres are among the privileged approaches of Transatlantic Aesthetics and Culture. The series aims to foster dialogue and encourage different cultural and critical discourses. It welcomes monographs and collections of essays. Contributors are invited to submit projects to the editors.

    9 publications

  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • New Studies in Aesthetics

    This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published. This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published. This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published.

    29 publications

  • Ars Interpretandi

    The Art of Interpretation

    ISSN: 1043-5778

    The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages. The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages. The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages.

    7 publications

  • Russian and East European Studies in Aesthetics and the Philosophy of Culture

    This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries.

    3 publications

  • Nouvelle poétique comparatiste / New Comparative Poetics

    ISSN: 1376-3202

    This series publishes contributions which explore new territory in the ever-evolving field of comparative literature. Its monographs, written in English or in French, typically deal with the interaction between various authors, literary genres and societies or cultures, if necessary drawing on literary theory. The term «comparative» is not restricted to the study of different national literatures. It also refers to comparative studies within a single linguistic culture, e.g. in a multicultural society or a postcolonial country. The series seeks to re-assess the complex relationship between margin and center, emphasizing, whenever possible, a non-Eurocentric perspective. Cette collection publie des travaux ouvrant de nouveaux horizons dans le domaine sans cesse en évolution de la littérature comparée. Ses monographies, rédigées en anglais ou en français, traitent de préférence de l’interaction entre différents auteurs, genres littéraires et sociétés ou cultures, en faisant appel, le cas échéant, à la théorie de la littérature. Le terme « comparatiste » n’est pas limité à l’étude de différentes littératures nationales. Il s’applique également aux études comparatistes effectuées dans les limites d’une seule culture linguistique, par exemple dans une société multiculturelle ou postcoloniale. La collection tente donc de redéfinir la relation complexe entre centre et périphérie, en adoptant, dans la mesure du possible, une perspective non-eurocentrique.

    47 publications

  • Title: Embodied Fantasies: From Awe to Artifice

    Embodied Fantasies: From Awe to Artifice

    by Suzanne Anker (Volume editor) Sabine Flach (Volume editor) 2013
    ©2013 Conference proceedings
  • Title: The Paths of Creation

    The Paths of Creation

    Creativity in Science and Art
    by Sixto J. Castro (Author) Alfredo Marcos (Author) Sixto J. Castro (Volume editor) Alfredo Marcos (Volume editor) 2011
    ©2012 Edited Collection
  • Title: Metarepresentation, Self-Organization and Art

    Metarepresentation, Self-Organization and Art

    by Wolfgang Wildgen (Volume editor) Barend van Heusden (Volume editor)
    ©2009 Edited Collection
  • Title: Art at the Limits of Perception

    Art at the Limits of Perception

    The Aesthetic Theory of Wolfgang Welsch
    by Jerome Carroll (Author)
    ©2006 Monographs
  • Title: Order of Buildings and Cities

    Order of Buildings and Cities

    A Paradigm of Open Systems Evolution for Sustainable Design
    by Yan Gu (Author) 2011
    ©2011 Thesis
  • Title: Poetica della metamorfosi e poetica della conversione: scelte formali e modelli del divenire nella letteratura
  • Title: Gadamer and the Limits of the Modern Techno-Scientific Civilization

    Gadamer and the Limits of the Modern Techno-Scientific Civilization

    by Stefano Marino (Author) 2011
    ©2011 Monographs
  • Title: Notions of the Aesthetic and of Aesthetics

    Notions of the Aesthetic and of Aesthetics

    Essays on Art, Aesthetics, and Culture
    by Lars-Olof Ahlberg (Author) 2014
    ©2015 Monographs
  • Title: How Musical Rhythm Reveals Human Attitudes

    How Musical Rhythm Reveals Human Attitudes

    An Annotated Translation by Nigel Nettheim
    by Nigel Nettheim (Author) 2024
    ©2011 Monographs
  • Title: Sense Sensibility / Die Sinne spüren

    Sense Sensibility / Die Sinne spüren

    Aesthetics, Aisthesis and Media of Embodiment / Ästhetik, Aisthesis und Medien der Verkörperung
    by Sabine Flach (Volume editor) 2021
    ©2021 Monographs
  • Title: From Modern Theory to a Poetics of Experience

    From Modern Theory to a Poetics of Experience

    Polish Studies in Literary History and Theory
    by Grzegorz Grochowski (Volume editor) Ryszard Nycz (Volume editor) 2014
    ©2014 Edited Collection
  • Title: Systems of Art

    Systems of Art

    Art, History and Systems Theory
    by Francis Halsall (Author)
    ©2008 Monographs
  • Title: Repressive Regimes, Aesthetic States, and Arts of Resistance

    Repressive Regimes, Aesthetic States, and Arts of Resistance

    by M. Lane Bruner (Author)
    ©2012 Textbook
  • Title: Committed Aestheticism: The Poetic Theory and Practice of Günter Eich

    Committed Aestheticism: The Poetic Theory and Practice of Günter Eich

    by Larry L. Richardson (Author)
    ©1983 Others
  • Title: Men Who Dance

    Men Who Dance

    Aesthetics, Athletics and the Art of Masculinity
    by Michael Gard (Author)
    ©2006 Textbook
  • Title: The Aesthetics of Grace

    The Aesthetics of Grace

    Philosophy, Art, and Nature
    by Corrado Federici (Author) 2014
    ©2014 Monographs
  • Title: Aesthetics and Modernity

    Aesthetics and Modernity

    Toward a New Philosophical Functionalization of Art
    by Iwona Lorenc (Author) 2021
    ©2021 Monographs
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