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  • Transnational Cultures

    ISSN: 2297-2854

    Transnational Cultures promotes inquiry into the cultural productions characterized by the vertical and lateral exchanges of ideas, objects and linguistic practices across the globe with a particular emphasis on South–South exchanges, minor transnational relations and Indigenous experiences. The series strives to offer a renewed understanding of minor and minority expressions and articulations of transnational experiences that often escape national and global discourses. With the growth of diasporic communities, migratory crossings and virtual exchange, cultural productions beyond, across and traversing national borders have become a growing focus of scholarship within historical, contemporary and comparative contexts. The series investigates how a transnational lens might transform existing understandings of cultural exchange, belonging, and identity formation in any period or location. This series addresses a range of questions, including but not limited to the following: What broader flows of knowledge, capital and power mark pre-modern, modern and contemporary cultural productions and identity formations? How do marginal experiences trouble existing narratives of the nation-state and global–local paradigms? What kinds of creolization of cultures and experiences evolve in the processes of transnationalism? How do transnational flows in the Global South, and among marginal or minority communities, facilitate sites of articulation outside normative discourses? Proposals for monographs and edited collections from international scholars are welcome. The series is interdisciplinary in scope and welcomes research on literature, film, new media, visual culture and beyond. All proposals and manuscripts will be subjected to rigorous peer review. The main language of publication is English. Editorial Board: Adeshina Afolayan (Ibadan, Nigeria), Michael S. Gorham (Florida), Weihsin Gui (UC Riverside), Brian Haman (Vienna), Olivia Khoo (Monash, Australia), Amara Lakhous (Yale), Anne Garland Mahler (Virginia), Deepti Misri (Colorado–Boulder), Nasser Mufti (Illinois–Chicago), Valentina Pedone (Florence), Dorothy Price (Courtauld Institute of Art), Oana Popescu-Sandu (Southern Indiana), Sara Pugach (Cal State LA), Mireille Rebeiz (Dickinson), Giulia Riccò (Michigan), Mark Sabine (Nottingham), Lisa Shaw (Liverpool), Shuang Shen (Penn State), Kyle Shernuk (Georgetown), Emily Celeste Vázquez Enríquez (UC Davis).

    5 publications

  • Title: From Cross-cultural and Intercultural to Transcultural: Mise en Abyme in Amy Tan’s The Bonesetter’s Daughter
  • Title: Re-Presenting the Johannine Community

    Re-Presenting the Johannine Community

    A Postcolonial Perspective
    by Yak-hwee Tan (Author) 2007
    ©2008 Monographs
  • Title: Global Communication and Media Research

    Global Communication and Media Research

    by Alexis S. Tan (Author) 2018
    ©2018 Textbook
  • Title: Kommunikation mit China

    Kommunikation mit China

    Eine chinesische Perspektive
    by Wenjian Jia (Volume editor) Jinfu Tan (Volume editor)
    ©2005 Edited Collection
  • Title: Terrorism and the Press

    Terrorism and the Press

    An Uneasy Relationship
    by Brooke Barnett (Author) Amy Reynolds (Author)
    ©2009 Textbook
  • Title: A Global History of Child Death

    A Global History of Child Death

    Mortality, Burial, and Parental Attitudes
    by Amy J. Catalano (Author) 2015
    ©2015 Monographs
  • Title: A Heritage of Her Own?

    A Heritage of Her Own?

    Allusion and Tradition in Female-Authored Poetry of the Hellenistic Age
    by Amy Martin (Author) 2023
    ©2023 Monographs
  • Title: Suffrage and the Silver Screen

    Suffrage and the Silver Screen

    by Amy Shore (Author) 2014
    ©2014 Monographs
  • Title: How Stories Teach Us

    How Stories Teach Us

    Composition, Life Writing, and Blended Scholarship
    by Amy E. Robillard (Volume editor) D. Shane Combs (Volume editor) 2019
    ©2019 Textbook
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