Framing Film

Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

20 publications

Plants and Animals

Plants and Animals: Interdisciplinary Approaches aims to publish scholarly work that addresses common challenges across the fields of plant and animal studies from interdisciplinary perspectives. The series welcomes monographs and edited collections that focus and reflect upon interactions of plants, animals, and humans in innovative ways. At a time of large-scale anthropogenic species extinction, there is a pressing need to promote scholarship that can help us envision more equitable and harmonious forms of coexistence on the planet. The series therefore encourages submissions explicitly geared to build bridges not only between plant and animal studies, but also leading-edge research on other forms of life or ways of being, including fungi, lichens, algae and other microorganisms, as well as scholarship on fantasy creatures, cryptids, semi-living beings, and even non-living forms of existence. The goal is to abolish an artificially compartmentalized view of the world in order to add to the ways of knowing that are beginning to grow through the interconnections between these related fields of study. Grounded in the humanities, Plants and Animals welcomes trans-disciplinary perspectives that engage with scholarship in the social sciences and in the natural sciences. Editorial Board: Giovanni Aloi (School of the Art Institute of Chicago), Helga Braunbeck (North Carolina State University), Danielle Celermajer (University of Sydney), Monica Gagliano (Southern Cross University), Joela Jacobs (University of Arizona), Daniel Heath Justice (University of British Columbia), John Miller (University of Sheffield), Stephanie Posthumus (McGill University), Parama Roy (University of California, Davis), Karen Syse Lykke (University of Oslo), Oscar de la Torre (UNC Charlotte).

0 publications

Plants and Animals Interdisciplinary Approaches

0 publications

Film Cultures

ISSN: 1663-8972

The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines.

19 publications

Documentary Film Cultures

ISSN: 2504-4834

This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

6 publications