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  • The Art and Science of Music Teaching and Performance

    Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

    2 publications

  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Title: Art State, Art Activism and Expanded Concept of Art
  • Title: Writing for Change

    Writing for Change

    Research as Public Pedagogy and Arts-based Activism
    by Claire Robson (Author)
    ©2012 Textbook
  • Title: Research as Praxis

    Research as Praxis

    Democratizing Education Epistemologies
    by Myriam N. Torres (Author) Luis-Vicente Reyes (Author)
    ©2011 Textbook
  • Title: Visual Art as Theology

    Visual Art as Theology

    by Barbara Dee Baumgarten (Author)
    ©1994 Monographs
  • Title: Art Therapy Research in Practice

    Art Therapy Research in Practice

    by Andrea Gilroy (Volume editor) 2011
    ©2011 Edited Collection
  • Title: Art Criticism as Narrative

    Art Criticism as Narrative

    Diderot's "Salon de 1767</I>
    by Julie Wegner Arnold (Author)
    ©1995 Others
  • Title: Arts-Based Research Primer

    Arts-Based Research Primer

    by James Rolling Haywood, Jr. (Author) 2013
    ©2013 Textbook
  • Title: Dancing with Time

    Dancing with Time

    The Garden as Art
    by John Powell (Author) 2019
    ©2019 Monographs
  • Title: Frames within Frames

    Frames within Frames

    The Art Museum as Cultural Artifact
    by Suzanne Oberhardt (Author)
    ©2001 Textbook
  • Title: The Art of Billy Roche

    The Art of Billy Roche

    Wexford as the World
    by Kevin Kerrane (Volume editor) 2020
    ©2012 Monographs
  • Title: Aggression as a Challenge

    Aggression as a Challenge

    Theory and research- Current Problems
    by Hanna Liberska (Volume editor) Marzanna Farnicka (Volume editor) 2016
    ©2016 Edited Collection
  • Title: The Editor’s Preface

    The Editor’s Preface

    Rethinking Chinese Music Research as a Global Discipline
    by Yu Hui (Author)
  • Title: English as an Additional Language in Research Publication and Communication

    English as an Additional Language in Research Publication and Communication

    by Sally Burgess (Volume editor) Pedro Martín-Martín (Volume editor)
    ©2009 Edited Collection
  • Title: The Gesamtkunstwerk as a Synergy of the Arts

    The Gesamtkunstwerk as a Synergy of the Arts

    by Massimo Fusillo (Volume editor) Marina Grishakova (Volume editor) 2020
    ©2021 Edited Collection
  • Title: As Radical as Reality Itself

    As Radical as Reality Itself

    Essays on Marxism and Art for the 21st Century
    by Matthew Beaumont (Volume editor) Andrew Hemingway (Volume editor) Esther Leslie (Volume editor) John Roberts (Volume editor)
    ©2007 Edited Collection
  • Title: An Artist as Soldier

    An Artist as Soldier

    Seeking Refuge in Love and Art
    by Barbara Schmitter Heisler (Author) 2017
    ©2017 Monographs
  • Title: Writing Against, Alongside and Beyond Memory

    Writing Against, Alongside and Beyond Memory

    Lifewriting as Reflexive, Poststructuralist Feminist Research Practice
    by Marilyn Metta (Author) 2011
    ©2010 Thesis
  • Title: The New York School Poets as Playwrights

    The New York School Poets as Playwrights

    O'Hara, Ashbery, Koch, Schuyler and the Visual Arts
    by Philip Auslander (Author)
    ©1989 Others
  • Title: Conference Report

    Conference Report

    Rethinking Chinese Music Research as a Global Discipline: Retrospective and Prospective
    by Yu Hui (Author)
  • Title: The House of Art

    The House of Art

    Modern Residences of Artists as the Subject and Space of Creation
    by Andrzej Pieńkos (Author) 2016
    ©2016 Monographs
  • Title: Building a Research-Rich Teaching Profession

    Building a Research-Rich Teaching Profession

    The Promises and Challenges of Doctoral Studies as a Form of Teacher Professional Development
    by Marta Kowalczuk-Walędziak (Author) 2021
    ©2021 Monographs
  • Title: James Joyce

    James Joyce

    Oral and Written Discourse as Mirrored in Experimental Narrative Art
    by Willi Erzgraeber (Author)
    ©2003 Monographs
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