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Art – Knowledge – Theory
ISSN: 2235-2759
Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.
8 publications
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Framing Film
The History and Art of CinemaFraming Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.
20 publications
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Cross-Roads
Studies in Culture, Literary Theory, and HistoryISSN: 2191-6179
The series Cross-Roads offers a platform that welcomes publications of the most outstanding Polish and non-Polish scholars dealing with culture, literary theory and history developed on the cross roads between the East and the West. We invite academic works (essay collections, monographs and as well as volume-length texts) on a wide range of topics, including historical and recent developments in literary and cultural studies. As the title "cross roads" indicates, we wish this series to be a meeting point for a variety of academic approaches relating both to literary theory and history as well as cultural and anthropological studies, challenging the complexity of both contemporary and historical empirical research undertakings. This is why we encourage diverse, interdisciplinary, comparative and multi-faceted takes that may put a new light on theoretical analyses as well as on pragmatic discussions, enabling new ways of interpreting the particular historical legacy situated and rooted on the cross-roads between the West and the East of Europe.
49 publications
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Art and Thought / Art et pensée
Histories of the Avant-Garde / histoires des avant-gardesIf the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.
8 publications
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Assigning Cultural Values
©2013 Edited Collection -
A History of Installation Art and the Development of New Art Forms
Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation©2009 Monographs -
Contributions to Theory and Comparative History of Historiography
German and Brazilian Perspectives©2015 Edited Collection -
The Prince and the «Condottiero» in Italian Humanism and Renaissance
Literature, History, Political Theory and Art©2025 Edited Collection -
Literature, Art, History: Studies on Classical Antiquity and Tradition
In Honour of W. J. Henderson©2003 Edited Collection -
Art of Illusion
The Representation of Art History in Nineteenth-Century Germany and Beyond©2006 Postdoctoral Thesis -
Senses of Embodiment: Art, Technics, Media
©2014 Edited Collection -
A.S. Byatt’s Art of Memory
©2020 Thesis -
Art, Identity and Cosmopolitanism
William Rothenstein and the British Art World, c.1880–1935©2024 Monographs -
The Theory of Social Pulsation
©2017 Monographs -
Booker T. Washington and the Art of Self-Representation
©2008 Textbook -
Desire and Avoidance in Art
Pablo Picasso, Hans Bellmer, Balthus, and Joseph Cornell- Psychobiographical Studies with Attachment Theory©2007 Monographs