Art and Thought / Art et pensée

If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

8 publications

Art – Knowledge – Theory

ISSN: 2235-2759

Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

8 publications

Dresden Philosophy of Technology Studies / Dresdner Studien zur Philosophie der Technologie

In der interdisziplinären Schriftenreihe “Dresden Philosophy of Technology Studies / Dresdner Studien zur Philosophie der Technologie“ werden aktuelle Diskussionen aus dem Bereich der Philosophie und Geschichtswissenschaft publiziert. Dabei liegt das Interesse auf der Bedeutung des technischen Fortschritts für die kulturelle Identität einer Gesellschaft und der Auseinandersetzung mit Mensch und Technologie aus einer philosophischen Perspektive. Der Reihenherausgeber Bernhard Irrgang ist Professor für Technikphilosophie. In der interdisziplinären Schriftenreihe “Dresden Philosophy of Technology Studies / Dresdner Studien zur Philosophie der Technologie“ werden aktuelle Diskussionen aus dem Bereich der Philosophie und Geschichtswissenschaft publiziert. Dabei liegt das Interesse auf der Bedeutung des technischen Fortschritts für die kulturelle Identität einer Gesellschaft und der Auseinandersetzung mit Mensch und Technologie aus einer philosophischen Perspektive. Der Reihenherausgeber Bernhard Irrgang ist Professor für Technikphilosophie. In der interdisziplinären Schriftenreihe “Dresden Philosophy of Technology Studies / Dresdner Studien zur Philosophie der Technologie“ werden aktuelle Diskussionen aus dem Bereich der Philosophie und Geschichtswissenschaft publiziert. Dabei liegt das Interesse auf der Bedeutung des technischen Fortschritts für die kulturelle Identität einer Gesellschaft und der Auseinandersetzung mit Mensch und Technologie aus einer philosophischen Perspektive. Der Reihenherausgeber Bernhard Irrgang ist Professor für Technikphilosophie.

5 publications

Studies on Culture, Technology and Education

ISSN: 2196-5129

Studies on Culture, Technology and Education explores intersections and entanglements of the cultural studies, science and technology studies, contemporary philosophy and the studies on education. The series aims to promote new reflexive and critical approaches in contemporary humanities and social sciences. New concepts, new perspectives and accounts, and surprising theoretical events, they all are important aspects of the series. The series presents contemporary research in the interdisciplinary perspective in form of monographs and collected volumes. The publication language of the series is English and German. The series was formerly known as Comparative Studies on Education, Culture and Technology / Vergleichende Studien zur Bildung, Kultur und Technik and was edited by Tomasz Stępień. From vol. 8 onwards, it continues as Studies on Culture, Technology and Education and is edited by Krzysztof Abriszewski.

13 publications

Yearbook of the Artificial

ISSN: 1660-1084

In the different areas of the artificial - defined as the attempt to reproduce natural objects or processes by means of the available technology - researchers and designers often work within their disciplines with little or no information about research being carried out in other areas. Bioengineers, for instance, know little about the problems of Artificial Intelligence researchers, while roboticians often neglect the efforts of medical engineering, etc. The Yearbook of the Artificial discusses current theories, projects and models from a wide range of areas without going into too many technical details. The main assumption is that there are common logical and methodological problems for all disciplines that are concerned with the reproduction of natural objects and processes. The Yearbook provides a forum for all of them, and covers areas such as bioengineering, robotics, A.I., artificial neural networks, artificial life, multimedia, the history of technology, communications, art and music. In the different areas of the artificial - defined as the attempt to reproduce natural objects or processes by means of the available technology - researchers and designers often work within their disciplines with little or no information about research being carried out in other areas. Bioengineers, for instance, know little about the problems of Artificial Intelligence researchers, while roboticians often neglect the efforts of medical engineering, etc. The Yearbook of the Artificial discusses current theories, projects and models from a wide range of areas without going into too many technical details. The main assumption is that there are common logical and methodological problems for all disciplines that are concerned with the reproduction of natural objects and processes. The Yearbook provides a forum for all of them, and covers areas such as bioengineering, robotics, A.I., artificial neural networks, artificial life, multimedia, the history of technology, communications, art and music. In the different areas of the artificial - defined as the attempt to reproduce natural objects or processes by means of the available technology - researchers and designers often work within their disciplines with little or no information about research being carried out in other areas. Bioengineers, for instance, know little about the problems of Artificial Intelligence researchers, while roboticians often neglect the efforts of medical engineering, etc. The Yearbook of the Artificial discusses current theories, projects and models from a wide range of areas without going into too many technical details. The main assumption is that there are common logical and methodological problems for all disciplines that are concerned with the reproduction of natural objects and processes. The Yearbook provides a forum for all of them, and covers areas such as bioengineering, robotics, A.I., artificial neural networks, artificial life, multimedia, the history of technology, communications, art and music.

5 publications

Hermeneutics of Art

7 publications

Arbeit - Technik - Organisation - Soziales / Work - Technology - Organization - Society

Die Bände 1-17 dieser Reihe wurden herausgegeben von Wiking Ehlert und György Széll, die Bände 18-32 von Wiking Ehlert, György Széll und Heinz Sünker.

33 publications

Artes Populares

15 publications

Medizin, Technik und Gesellschaft / Medicine, Technology and Society

Die Publikationsreihe Medizin, Technik und Gesellschaft. Medicine, Technology and Society widmet sich aktuellen Studien aus den Gebieten der Medizin, Soziologie und Volkswirtschaftslehre. Im Fokus der Monographien und Sammelbände stehen insbesondere medizinethische Fragestellungen. Themen sind dabei unter anderem Technikfolgenabschätzung im Bereich der Medizin und Gentechnik sowie Gentherapie. Die Reihe erscheint in deutscher und englischer Sprache. Band 5 schließt diese Reihe ab. Die Publikationsreihe Medizin, Technik und Gesellschaft. Medicine, Technology and Society widmet sich aktuellen Studien aus den Gebieten der Medizin, Soziologie und Volkswirtschaftslehre. Im Fokus der Monographien und Sammelbände stehen insbesondere medizinethische Fragestellungen. Themen sind dabei unter anderem Technikfolgenabschätzung im Bereich der Medizin und Gentechnik sowie Gentherapie. Die Reihe erscheint in deutscher und englischer Sprache. Band 5 schließt diese Reihe ab. Die Publikationsreihe Medizin, Technik und Gesellschaft. Medicine, Technology and Society widmet sich aktuellen Studien aus den Gebieten der Medizin, Soziologie und Volkswirtschaftslehre. Im Fokus der Monographien und Sammelbände stehen insbesondere medizinethische Fragestellungen. Themen sind dabei unter anderem Technikfolgenabschätzung im Bereich der Medizin und Gentechnik sowie Gentherapie. Die Reihe erscheint in deutscher und englischer Sprache. Band 5 schließt diese Reihe ab.

5 publications

Internationalism and the Arts

ISSN: 2235-0160

Internationalism and the Arts explores the multiple ways in which the arts have operated internationally, responded to internationalist ideology, and helped shape thinking about world organization. The series challenges the emphasis on nationalism and national schools that has developed over the past 250 years. Instead, it draws attention to internationalist art and ideology; the lives and work of cosmopolitan artists and theorists; international networks, systems and practices; and societies that promote international exchange. The series speaks to the rise of transnationalism as a major approach across a number of research fields. Within this literature, it addresses a relative dearth of publications which focus on international art practice as a crucial element of human experience. Proposals are invited across the performing and visual arts, including art history, music, dance and theatre. Our geographical scope is global and we welcome projects that look beyond the Western world or that examine cross-cultural exchanges. We are open to proposals for monographs and edited collections, anthologies of primary sources and textbooks, and scholarly catalogues that showcase visual material. All proposals and manuscripts will be subject to peer review.

6 publications

Ars Interpretandi

ISSN: 1043-5778

The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages. The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages. The title indicates the open-ended nature of this series. lt includes books and monographs in all literatures and has as its primary focus the hermeneutic act. Topics are not restricted to critical theory, but can range from studies on a landmark poem or poetic cycle to broader essays on a literary generation or a genre, etc., provided they make clear the extent to which they insert themselves into the past or contemporary critical and self-critical discourse. Prospective authors are invited to send their proposal or an outline and text sample to the editor of the series prior to submitting a manuscript. The publisher requires a camera-ready copy of a minimum length of 200 pages and a maximum of 400 pages.

7 publications

Worcester Polytechnic Institute (WPI Studies)

WPI Studies is sponsored by Worcester Polytechnic Institute, the nation's third oldest independent technological university. WPI Studies aims to publish monographs, edited collections of essays, and research tools and texts of interest to scholarly audiences. WPI Studies accepts manuscripts in all languages, and is especially interested in reviewing potential publications on interdisciplinary topics relating science, technology, and culture. WPI Studies is edited by a board of WPI faculty from many disciplines. 'The board is chaired by Lance Schachterle, Assistant Provost and Professor of English, to whom potential authors should direct their inquiries WPI Studies is sponsored by Worcester Polytechnic Institute, the nation's third oldest independent technological university. WPI Studies aims to publish monographs, edited collections of essays, and research tools and texts of interest to scholarly audiences. WPI Studies accepts manuscripts in all languages, and is especially interested in reviewing potential publications on interdisciplinary topics relating science, technology, and culture. WPI Studies is edited by a board of WPI faculty from many disciplines. 'The board is chaired by Lance Schachterle, Assistant Provost and Professor of English, to whom potential authors should direct their inquiries WPI Studies is sponsored by Worcester Polytechnic Institute, the nation's third oldest independent technological university. WPI Studies aims to publish monographs, edited collections of essays, and research tools and texts of interest to scholarly audiences. WPI Studies accepts manuscripts in all languages, and is especially interested in reviewing potential publications on interdisciplinary topics relating science, technology, and culture. WPI Studies is edited by a board of WPI faculty from many disciplines. 'The board is chaired by Lance Schachterle, Assistant Provost and Professor of English, to whom potential authors should direct their inquiries

19 publications

ICCA – Industries culturelles, création, numérique

ISSN: 2506-8741

Under the aegis of the LABEX ICCA (LABoratoire d’EXcellence ICCA) research centre, this collection contains the results of research into various cultural industries, in both traditional fields – such as the film industry, television, music or print publishing – and more recent fields such as video or video games. It focuses on an interdisciplinary perspective for studying the means of mediation and promotion, the consumption practices and the transformations induced by underlying trends such as globalisation and digitisation, which radically change both the processes for creating content and the ways of funding and distributing the content produced. Sous l’égide du LABoratoire d’EXcellence ICCA (Industries Culturelles et Création Artistique), cette collection réunit les résultats de recherches consacrées aux différentes industries culturelles, traditionnelles comme le cinéma, la télévision, la musique ou l’édition, ou plus récentes comme la vidéo ou le jeu vidéo. Elle privilégie une perspective interdisciplinaire pour étudier les dispositifs de médiation et de promotion, les pratiques de consommation et les mutations induites par des mouvements de fond comme la mondialisation ou la numérisation, qui bouleversent aussi bien les processus de création des contenus que les modes de financement et de distribution de la production.

15 publications

The Art and Science of Music Teaching and Performance

Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

2 publications

Etudes de linguistique, littérature et arts / Studi di Lingua, Letteratura e Arte

La collection Études de linguistique, littérature et arts accueille les travaux rédigés en français, en espagnol ou en italien relevant des domaines de la linguistique, de la littérature et des arts du spectacle, ainsi que les études qui conjuguent de manière créative ces trois disciplines de recherche. Elle est ouverte à tout type de projet de publication (monographies, ouvrages issus des thèses universitaires, projets collectifs, actes de colloque) et s'adresse en priorité, mais non exclusivement, aux chercheurs provenant de la Pologne ou d'autres pays de l'Europe de l'Est.

103 publications

Redefining Speculative Art: Exploring Artistic and Cultural Manifestations

ISSN: 3042-6413

0 publications

Literature and the Visual Arts

Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

15 publications

Lesley University Series in Arts and Education

ISSN: 1524-0177

7 publications

Artes visuales y sociedades hispánicas

The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer.

5 publications

Europäische Hochschulschriften / European University Studies / Publications Universitaires Européennes

The books within this series include a broad range of topics within the category of History of Art. Cette collection présente une riche palette de travaux scientifiques dans le domaine de l'Histoire de l'Art. In dieser Reihe erscheinen wissenschaftliche Arbeiten zu einem breiten Themenspektrum im Fachgebiet Kunstgeschichte.

381 publications

Framing Film

Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

20 publications

Cultural Interactions: Studies in the Relationship between the Arts

Interdisciplinary activity is now a major feature of academic work in all fields. The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography. It will engage with book illustration, the manipulation of typography as an art form, or the ‘double work’ of poetry and painting and will offer the opportunity to broaden the field into wider and less charted areas. It will deal with modes of representation that cross the physiological boundaries of sight, hearing and touch and examine the placing of these modes within their representative cultures. It will offer an opportunity to publish on the crosscurrents of nationality and the transformations brought about by foreign art forms impinging upon others. The interface between the arts knows no boundaries of time or geography, history or theory.

56 publications

American Studies: Culture, Society & the Arts

The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders.

7 publications

Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts

ISSN: 1663-6007

Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.

20 publications