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  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Title: Die Auslegung des Begriffs ‘wesentliche Vertragsverletzung’ in Art. 25 CISG
  • Title: Die Regelung der Übermittlung personenbezogener Daten in Drittländer nach Art. 25, 26 der EG-Datenschutzrichtlinie
  • Title: Die Abgrenzung zwischen EuGVVO und EuInsVO im Bereich insolvenzbezogener Einzelentscheidungen
  • Title: Web 25

    Web 25

    Histories from the First 25 Years of the World Wide Web
    by Niels Brügger (Volume editor) 2017
    Textbook
  • Title: Morgen-Glantz 25/2015

    Morgen-Glantz 25/2015

    Zeitschrift der Christian Knorr von Rosenroth-Gesellschaft
    by Anonym (Author)
    ©2015 Conference proceedings
  • Title: Capter l’essence du spectacle- Un enjeu de taille pour le patrimoine immatériel- Capturing the Essence of Performance- The Challenges of Intangible Heritage

    Capter l’essence du spectacle- Un enjeu de taille pour le patrimoine immatériel- Capturing the Essence of Performance- The Challenges of Intangible Heritage

    Société internationale des bibliothèques et musées des arts du spectacle (27 e Congrès : Glasgow, 25-29 août 2008)- International Association of Libraries and Museums of the Performing Art (27 th Congress: Glasgow, 25-29 August 2008)
    by Nicole Leclercq (Volume editor) Laurent Rossion (Volume editor) Alan Jones (Volume editor)
    ©2010 Conference proceedings
  • Title: Ungarns Verfassung vom 25. April 2011

    Ungarns Verfassung vom 25. April 2011

    Einführung – Übersetzung – Materialien
    by Herbert Küpper (Author) 2012
    ©2012 Monographs
  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Title: Art State, Art Activism and Expanded Concept of Art
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