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  • Artes Populares

    Studia Ethnographica et Folkloristica

    15 publications

  • Artes visuales y sociedades hispánicas

    The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer.

    5 publications

  • Méthodes participatives appliquées/Applied Participatory Methods

    ISSN: 2033-7906

    Methodology and methods constitute the heart of social sciences and the mark of any academic endeavour. In recent years, the development of participatory methods broadly understood has led to the renewal of our methodological tools and techniques through the introduction into the research design of the citizens, the experts, the decision makers both private and public. These new methods deserve to be studied not only from an epistemological and a methodological perspective but also in their real-life applications. This series, «Méthodes participatives appliquées/Applied participatory methods», aims at fostering the debates related to the fast-growing development, renewal, and application of the participatory methods. It will be of interest to a wide readership: scholars in human and social sciences, undergraduate and graduate students, private and public decision makers, civil servants, journalists, politicians as well as citizens interested in this applied participatory perspective. This series publishes, in English or in French, both individual and collective works such as monographs (including theses), collections of articles, conference proceedings, textbooks and collections of texts for students and bibliographies. La méthodologie et les méthodes constituent indéniablement le cœur des sciences sociales et la marque de leur scientificité. Depuis plusieurs années, le développement de méthodes participatives entendues au sens large encourage le renouvellement des outils méthodologiques propres aux sciences sociales en intégrant plus directement les citoyens, les « experts » et les décideurs publics ou privés dans le dispositif de recherche. Ces nouvelles méthodes méritent d’être étudiées aussi bien épistémologiquement que méthodologiquement mais également dans leurs applications concrètes. La collection, « Méthodes participatives appliquées/Applied participatory methods », vise ainsi à enrichir les réflexions et les débats qui entourent le développement, le renouvellement et l’application des méthodes participatives. Cette collection intéressera un large public allant des chercheurs en sciences humaines et sociales aux étudiants de tous les cycles en passant par les administrateurs et décideurs privés et publics ainsi que les journalistes, les politiques et les citoyens intéressés par cette perspective participative appliquée. Cette collection publie, en français ou en anglais, des travaux individuels et collectifs, tels que des monographies (tirées ou non de thèses), des recueils d’articles, des actes de colloque, des recueils de textes commentés à destination de l’enseignement ainsi que des bibliographies.

    6 publications

  • Etudes de linguistique, littérature et arts / Studi di Lingua, Letteratura e Arte

    La collection Études de linguistique, littérature et arts accueille les travaux rédigés en français, en espagnol ou en italien relevant des domaines de la linguistique, de la littérature et des arts du spectacle, ainsi que les études qui conjuguent de manière créative ces trois disciplines de recherche. Elle est ouverte à tout type de projet de publication (monographies, ouvrages issus des thèses universitaires, projets collectifs, actes de colloque) et s'adresse en priorité, mais non exclusivement, aux chercheurs provenant de la Pologne ou d'autres pays de l'Europe de l'Est.

    95 publications

  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Internationalism and the Arts

    ISSN: 2235-0160

    Internationalism and the Arts explores the multiple ways in which the arts have operated internationally, responded to internationalist ideology, and helped shape thinking about world organization. The series challenges the emphasis on nationalism and national schools that has developed over the past 250 years. Instead, it draws attention to internationalist art and ideology; the lives and work of cosmopolitan artists and theorists; international networks, systems and practices; and societies that promote international exchange. The series speaks to the rise of transnationalism as a major approach across a number of research fields. Within this literature, it addresses a relative dearth of publications which focus on international art practice as a crucial element of human experience. Proposals are invited across the performing and visual arts, including art history, music, dance and theatre. Our geographical scope is global and we welcome projects that look beyond the Western world or that examine cross-cultural exchanges. We are open to proposals for monographs and edited collections, anthologies of primary sources and textbooks, and scholarly catalogues that showcase visual material. All proposals and manuscripts will be subject to peer review.

    6 publications

  • Hermeneutics of Art

    7 publications

  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Literature and the Visual Arts

    New Foundations

    Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

    15 publications

  • Lesley University Series in Arts and Education

    ISSN: 1524-0177

    7 publications

  • The Art and Science of Music Teaching and Performance

    Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

    2 publications

  • Title: Entender el Artivismo

    Entender el Artivismo

    by Dimitrina Semova (Volume editor) Eva Aladro Vico (Volume editor) Roxana Sosa Sánchez (Volume editor) 2019
    ©2019 Edited Collection
  • Title: El arte de hacer novelas

    El arte de hacer novelas

    Metafiktionalität und Interdiskursivität im spanischen Roman der Gegenwart- Untersuchungen zu Texten von Juan Bonilla, Ángel García Pintado und Juan Manuel de Prada
    by Anna-Sophia Buck (Author)
    ©2002 Thesis
  • Title: Participative Management and Culture

    Participative Management and Culture

    A Qualitative and Integrative Study in Five European Countries
    by Erna Szabo (Author)
    ©2007 Postdoctoral Thesis
  • Title: La démocratie participative au Brésil

    La démocratie participative au Brésil

    Promesses tenues et dynamiques ouvertes
    by Isabel Georges (Volume editor) Pierre Tripier (Volume editor) 2012
    ©2012 Edited Collection
  • Title: Participative Structures in the AMECEA

    Participative Structures in the AMECEA

    Five Selected Participative Structures in the AMECEA: The Diocesan Synod, the Diocesan Finance Council, the Presbyteral Council, the College of Consultors, and the Diocesan Pastoral Council
    by Lennoxie Lusabe (Author) 2020
    ©2020 Monographs
  • Title: Aiutando l'arte

    Aiutando l'arte

    Les inscriptions dans les décors post-tridentins d’Italie <i>Le iscrizioni nella pittura post-tridentina italiana</i>
    by Gwladys Le Cuff (Volume editor) Anne Lepoittevin (Volume editor) 2022
    ©2022 Edited Collection
  • Title: ARTE – Europa auf Sendung

    ARTE – Europa auf Sendung

    Verfassungsrechtliche Rahmenbedingungen für die Beteiligung von ARD und ZDF an supranationalen Gemeinschaftssendern am Beispiel des Europäischen Kulturkanals ARTE
    by Nathalie Hellmuth (Author)
    ©2007 Thesis
  • Title: Obispos y Catedrales. Arte en la Castilla Bajjomedieval

    Obispos y Catedrales. Arte en la Castilla Bajjomedieval

    Bishops and Cathedrals. Art in Late Medieval Castile
    by Maria Victoria Herráez (Volume editor) 2018
    ©2018 Edited Collection
  • Title: Cervantes El arte de la novela

    Cervantes El arte de la novela

    Cervantes creador de la novela moderna
    by Francisco Javier Blasco Pascual (Author) 2024
    Monographs
  • Title: «De arte honeste amandi»

    «De arte honeste amandi»

    Studien zur Ikonographie der höfischen Liebe
    by Katharina Anna Glanz (Author)
    ©2005 Thesis
  • Title: Comprendre la non-participation

    Comprendre la non-participation

    Les citoyens face aux dispositifs délibératifs tirés au sort
    by Vincent Jacquet (Author) 2020
    ©2020 Thesis
  • Title: Crowdfunding, industries culturelles et démarche participative

    Crowdfunding, industries culturelles et démarche participative

    De nouveaux financements pour la création
    by Laurent Creton (Volume editor) Kira Kitsopanidou (Volume editor) 2016
    ©2016 Edited Collection
  • Title: La participation à l’épreuve

    La participation à l’épreuve

    by Sébastien Brunet (Volume editor) Frédéric Claisse (Volume editor) Catherine Fallon (Volume editor) 2013
    ©2014 Edited Collection
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