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  • Studies in Life Writing

    Biography, Autobiography, Memoir

    Studies in Life Writing: Biography, Autobiography, Memoir welcomes full-length studies of life writing in all its forms: biography, autobiography, memoir, journals, diaries, blogs, and so forth. Dovetailing nicely with the critical theories of the later twentieth century, life writing questions the divide between fact and fiction, challenges the possibility of presenting a life objectively, and examines how the shaping forces of language and memory prohibits any simple attempts at truth and reference. Provocatively, interest in life writing has increased as both autobiographical and biographical narratives have become a major presence on the Internet, and the growth of literary nonfiction has prompted a resurgence of life narratives and memoirs. The series invites both single-authored book-length studies and multi-authored essay collections on the theory and/or pedagogy of life writing.

    1 publications

  • Technical Writing

    ISSN: 0943-6774

    6 publications

  • Writing About Women

    Feminist Literary Studies

    ISSN: 1053-7937

    This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory. This is a literary series devoted to feminist studies on past and contemporary women authors, exploring social, psychological, political, economic, and historical insights directed toward an interdisciplinary approach. The series is dedicated to the memory of Simone de Beauvoir, early pioneer in feminist literary theory.

    22 publications

  • Travel Writing Across the Disciplines

    Theory and Pedagogy

    The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice. The recent critical attention devoted to travel writing enacts a logical transition from the ongoing focus on autobiography, subjectivity, and multiculturalism. Travel extends the inward direction of autobiography to consider the journey outward and intersects provocatively with studies of multiculturalism, gender, and subjectivity. Whatever the journey's motive--tourism, study, flight, emigration, or domination--journey changes both the country visited and the self that travels. Travel Writing Across the Disciplines welcomes studies from all periods of literature on the theory and/or pedagogy of travel writing from various disciplines, such as social history, cultural theory, multicultural studies, anthropology, sociology, religious studies, literary analysis, and feminist criticism. The volumes in this series explore journey literature from critical and pedagogical perspectives and focus on travel as metaphor in cultural practice.

    13 publications

  • Studies in Contemporary Women’s Writing

    ISSN: 2235-4123

    A series founded by Gill Rye This book series supports the work of the Centre for the Study of Contemporary Women’s Writing at the Institute of Languages, Cultures and Societies, University of London, by publishing high-quality critical studies in the field. Studies in Contemporary Women’s Writing provides a forum for innovative research exploring new trends and issues in the work of new, hitherto neglected or established authors who write primarily, but not exclusively, in the languages covered by the Centre: French, German, Italian, Portuguese and the Hispanic languages. The series has redefined its remit in light of current scholarship. ‘Contemporary’ is still defined as ‘after 1968’, with a preference for studies of post-1990 texts in any genre. While the series initially focused on writing, it now welcomes research that crosses disciplinary boundaries and defines creativity in the broadest sense, including intersections between literature and the arts, cinema and music. Scholarship that embraces gender and sexuality more broadly, including the work of non-binary and queer authors, is also welcome. We encourage studies that connect texts with the social, cultural, linguistic and political contexts in which they are created, taking into account the transnational and postcolonial configuration of the contemporary world and its impact on lives and experiences. Proposals are invited for monographs and edited collections. The series welcomes single-author studies, thematic analyses across languages and cross-cultural discussions that rely on a variety of approaches and theoretical frameworks, as well as studies that showcase the application of new methodologies to primary texts. Manuscripts should be written in English. Editorial Board: Claudia Bernardi (Victoria University of Wellington), Francesca Calamita (University of Virginia), Emily Jeremiah (Royal Holloway, University of London), Shirley Jordan (Newcastle University), Catriona MacLeod (University of London Institute in Paris), Lorraine Ryan (University of Birmingham), Godela Weiss-Sussex (School of Advanced Study, University of London), Caragh Wells (University of Bristol), Claire Williams (St Peter’s College, University of Oxford)

    17 publications

  • Writing in the 21st Century

    Interdisciplinary Approaches to Instruction, Practice, and Theory

    3 publications

  • ICCA – Industries culturelles, création, numérique

    ICCA – Cultural industries, artistic creation, digital technology

    ISSN: 2506-8741

    Under the aegis of the LABEX ICCA (LABoratoire d’EXcellence ICCA) research centre, this collection contains the results of research into various cultural industries, in both traditional fields – such as the film industry, television, music or print publishing – and more recent fields such as video or video games. It focuses on an interdisciplinary perspective for studying the means of mediation and promotion, the consumption practices and the transformations induced by underlying trends such as globalisation and digitisation, which radically change both the processes for creating content and the ways of funding and distributing the content produced. Sous l’égide du LABoratoire d’EXcellence ICCA (Industries Culturelles et Création Artistique), cette collection réunit les résultats de recherches consacrées aux différentes industries culturelles, traditionnelles comme le cinéma, la télévision, la musique ou l’édition, ou plus récentes comme la vidéo ou le jeu vidéo. Elle privilégie une perspective interdisciplinaire pour étudier les dispositifs de médiation et de promotion, les pratiques de consommation et les mutations induites par des mouvements de fond comme la mondialisation ou la numérisation, qui bouleversent aussi bien les processus de création des contenus que les modes de financement et de distribution de la production.

    15 publications

  • Writing and Culture in the Long Nineteenth Century

    The long nineteenth century, extending from the Napoleonic Wars to the First World War, was a time of enormous change and experimentation. This series aims to publish the work of scholars and critics alert to these changes in a variety of spheres, including literature, art, the sciences, philosophy, and economics. The editors have a special interest in work that addresses questions of aesthetics, poetics, and form at the intersection between the written word, the visual and decorative arts, architecture, and music. Many scholars are now working on the cultural matrix out of which these forms emerge and recent critical thinking has shown how important was the prevailing economic, political, scientific, and philosophical climate in creating the appropriate conditions for artistic production. Some volumes in the series focus on specific writers and texts, while others consider the connection between writing, art, philosophy, and science and the broader cultural horizon. All contribute significantly to the widening sphere of nineteenth-century literary studies.

    12 publications

  • Title: Painter’s Word

    Painter’s Word

    Thomas Hart Benton, Marsden Hartley and Ad Reinhardt as Writers
    by Edyta Frelik (Author) 2016
    ©2016 Monographs
  • Title: Contemporary Artists Respond to Samuel Beckett / Les artistes contemporains répondent à Samuel Beckett

    Contemporary Artists Respond to Samuel Beckett / Les artistes contemporains répondent à Samuel Beckett

    Six Essays/ Six essais
    by Carla Taban (Author) 2025
    ©2025 Monographs
  • Title: Le Fanon des artistes

    Le Fanon des artistes

    Perspectives transaméricaines
    by Sophie Large (Volume editor) Flora Valadié (Volume editor) 2022
    ©2022 Edited Collection
  • Title: A Cinematic Artist

    A Cinematic Artist

    The Films of Man Ray
    by Kim Knowles (Author) 2009
    ©2012 Monographs
  • Title: Early Writings

    Early Writings

    by Luca Meldolesi (Author) 2025
    ©2025 Monographs
  • Title: An Artist as Soldier

    An Artist as Soldier

    Seeking Refuge in Love and Art
    by Barbara Schmitter Heisler (Author) 2017
    ©2017 Monographs
  • Title: Portraits of the Artist

    Portraits of the Artist

    Dionysian Creativity in Selected Works by Gabriele D’Annunzio and Thomas Mann
    by Jessica Wood (Author) 2017
    Monographs
  • Title: Subaltern Writings

    Subaltern Writings

    Readings on Graciliano Ramos’s Novels
    by Rocha Fernando de Sousa (Author) 2013
    ©2013 Monographs
  • Title: Ordinary Writings, Personal Narratives

    Ordinary Writings, Personal Narratives

    Writing Practices in 19th and early 20th-century Europe
    by Martyn Lyons (Volume editor)
    ©2007 Edited Collection
  • Title: One Artist on Five Continents

    One Artist on Five Continents

    The Life of Elisabet Delbrück
    by Margaret Sutherland (Author)
    ©2012 Monographs
  • Title: Writers and Artists in Dialogue

    Writers and Artists in Dialogue

    Historical Fiction about Women Painters
    by Cortney Cronberg Barko (Author) 2015
    ©2016 Monographs
  • Title: Intellectuels, artistes et militants

    Intellectuels, artistes et militants

    Le voyage comme expérience de l’étranger- Avec une préface de Gilles Bertrand
    by Anne Dulphy (Volume editor) Yves Léonard (Volume editor) Marie Anne Matard Bonucci (Volume editor) 2011
    ©2009 Edited Collection
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