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  • Documentary Film Cultures

    ISSN: 2504-4834

    This series provides a space for exploring the development of documentary film cultures in the contemporary context. The series takes an ecological approach to the study of documentary funding, production, distribution and consumption by emphasizing the interconnections between these practices and those of other media systems. It thus encourages new ways of understanding documentary films or practices as part of other, wider systems of cultural production. Volumes may focus on specific sociopolitical environments, such as that of a nation or region. Alternatively, they may explore specific themes or production practices, such as new wave documentaries, environmentalism or indigenous film communities. Studies of shared technological platforms, including films that make use of embodied technologies or using emergent distribution platforms, are also welcome. The series reflects not only the maturing of literature on documentary film and media production studies over the last two decades but also the growing interest amongst nonacademic and professional audiences in documentary texts as they occupy an increasingly hybrid cultural space: part journalism, part art cinema, part activism, part entertainment, part digital culture. Editorial Board: Jouko Aaltonen (Aalto University), John Corner (Liverpool University, UK), Yingchi Chu (Murdoch University, Australia), Jonathan Dovey (University of the West of England, Bristol), Susanna Helke (Aalto University, Finland), Anette Hill (Lund University, Sweden), Bert Hogenkamp (Netherlands Institute for Sound and Vision), Ilona Hongisto (Macquarie University, Australia), K. P. Jayasankar (Tata Institute of Social Sciences, India), Susan Kerrigan (Newcastle University, Australia), Richard Kilborn (University of Stirling), Erik Knudsen (University of Central Lancashire, UK), David MacDougall (Australian National University), Anjali Monteiro (Tata Institute of Social Sciences, Mumbai), Pablo Piedras (Universidad de Buenos Aires, Argentina), Agnieszka Piotrowska (University of Bedfordshire, UK), Laura Rascaroli (University College Cork, Ireland), Belinda Smaill (Monash University, Australia), Inge Sorensen (University of Glasgow, UK), Bjørn Sørenssen (Norwegian University of Science and Technology, Norway), Malin Walhberg (Stockholm University, Sweden), Deane Williams (Monash University, Australia), Yingjin Zhang (UC San Diego, USA)

    6 publications

  • Title: Popularizing Research

    Popularizing Research

    Engaging New Genres, Media, and Audiences
    by Phillip Vannini (Volume editor)
    ©2012 Textbook
  • Title: Documentary in Wales

    Documentary in Wales

    Cultures and Practices
    by Dafydd Sills-Jones (Volume editor) Elin Haf Gruffydd Jones (Volume editor) 2021
    ©2021 Edited Collection
  • Title: Documentary in Finland

    Documentary in Finland

    History, Practice and Policy
    by Jouko Aaltonen (Author) Pietari Kääpä (Author) Dafydd Sills-Jones (Author) 2023
    ©2023 Monographs
  • Title: Documentary in the Age of COVID

    Documentary in the Age of COVID

    by Dafydd Sills-Jones (Volume editor) Pietari Kääpä (Volume editor) 2023
    ©2023 Edited Collection
  • Title: Translating Audio Description Scripts

    Translating Audio Description Scripts

    Translation as a New Strategy of Creating Audio Description
    by Anna Jankowska (Author) 2015
    ©2015 Monographs
  • Title: Third Digital Documentary

    Third Digital Documentary

    A Theory and Practice of Transmedia Arts Activism, Critical Design and Ethics
    by Anita Wen-Shin Chang (Author) 2020
    ©2020 Monographs
  • Title: Audi-Werbung 1909–1965

    Audi-Werbung 1909–1965

    Eine medienwissenschaftliche Analyse
    by Marta Potuzniková (Author) 2016
    ©2015 Thesis
  • Title: Celluloid Subjects to Digital Directors

    Celluloid Subjects to Digital Directors

    Changing Aboriginalities and Australian Documentary Film, 1901–2017
    by Jennifer Debenham (Author) 2020
    ©2020 Monographs
  • Title: Documentary Graphic Novels and Social Realism

    Documentary Graphic Novels and Social Realism

    by Jeff Adams (Author)
    ©2009 Monographs
  • Title: The Manifestations of Political Power Structures in Documentary Film
  • Title: Der Einsatz von Musik und die Entwicklung von «audio literacy» im Fremdsprachenunterricht

    Der Einsatz von Musik und die Entwicklung von «audio literacy» im Fremdsprachenunterricht

    by Gabriele Blell (Volume editor) Rita Kupetz (Volume editor)
    ©2010 Conference proceedings
  • Title: Diálogos intertextuales 4:- «Discursos (audio)visuales para un receptor infantil y juvenil»

    Diálogos intertextuales 4:- «Discursos (audio)visuales para un receptor infantil y juvenil»

    Estudios de literatura infantil y juvenil: medios audiovisuales
    by Susana Pérez Pico (Volume editor) Manuel Candelas Colodrón (Volume editor)
    ©2010 Edited Collection
  • Title: «Nanook of the North» From 1922 to Today

    «Nanook of the North» From 1922 to Today

    The Famous Arctic Documentary and Its Afterlife
    by Roswitha Skare (Author) 2016
    ©2016 Monographs
  • Title: Screening Reality

    Screening Reality

    French Documentary Film during the German Occupation
    by Steve Wharton (Author)
    ©2006 Monographs
  • Title: Their Childhood and the Holocaust

    Their Childhood and the Holocaust

    A Child’s Perspective in Polish Documentary and Autobiographical Literature
    by Justyna Kowalska-Leder (Author) 2015
    ©2015 Monographs
  • Title: Online Journalismus

    Online Journalismus

    Von den Möglichkeiten der Web-Inszenierung zum audio-visuellen Gesamtereignis am Beispiel online-journalistischer Kulturberichterstattung in Österreich und den USA
    by Doris Carmen Rusch (Author)
    ©2006 Thesis
  • Title: Reel Education

    Reel Education

    Documentaries, Biopics, and Reality Television
    by Jacqueline Bach (Author) 2016
    ©2016 Textbook
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